Municipal Waste – Slime And Punishment

I really wasn’t sure if Municipal Waste were ever going to pull it off; but what they released just over month ago, Slime And Punishment, is truly the album we’ve been waiting for.  It’s been five years since they released their Nuclear Blast Records debut, The Fatal Feast, a bit of a musical departure from the usual Thrash/Party Metal they’re legendary for at this point, to more of a Crossover type sound.  I wasn’t bad but neither that or the album before it, 2009’s Massive Aggressive, could EVER amount to their 2007 masterpiece, The Art Of Partying.  Hell, upon listen to Massive again while getting ready for this review I remembered why I stopped listening to it after three spins tops (maybe even just one!) – they were trying to hard to top The Art Of Partying.  You could barely hear the drums, and it felt like Tony Foresta struggled horribly with keeping up with the tempos.  Same unfortunately goes with Ryan Waste.  He couldn’t speed pick fast enough to keep up with the rhythm section for shit.

So what a huge shock it was when they dropped their first single of the new album, “Amateur Sketch”, back in April.  It was faster than a lot of The Fatal Feast.  But not only that, but the intensity was back and everything, guitars especially, was so much louder and so much sharper.  When mixing an album it’s so important that everything can be heard no matter what.  But one track doesn’t mean shit after a five year absence.  So I waited then I heard the title track, released a month later.  I wasn’t fast but it hit just as hard.  It was more old school Metal than Thrash but it was quick, catchy and did the trick.  I was sold and bought the record a week after it was released.

“Breath Grease” kicks this one off with a real BANG!  No slow, prodding intros, no instrumentals, just straight into a fast tempo song, which leads into “Enjoy The Night”, which sees the pace kicked up even faster…as if to say “good luck banging your head to this without snapping it!”. Upon hearing most of this album two things come to mind: the addition of Nick Poulos as a second guitarist was the smartest decision the band made last year, and the band as a whole clearly realized that it’s better to let the music come naturally, as opposed to forcing themselves to play a specific style.  The results are that of a band that sounds absolutely refreshed; just all of the things they’re good at and nothing they can’t do.

The one thing I’m really impressed with on Slime And Punishment is the incredibly high pitch in Tony Foresta’s vocal approach.  If you’ve paid attention to him outside of Waste then you know that this is the exact approach he’d been using with his other band, Iron Reagan.  But for this collection of songs he without a doubt NEEDED to go this high.  Especially on tracks likes the balls to the wall “Bourbon Discipline” and “Parole Violators” (featuring Vinnie Stigma of Agnostic Front), where he screams out “fuck you man!”, it’s as if he’s legitimately living out the audio party as it’s happening!

As mentioned earlier, hiring a second guitarist had to literally be THE smartest decision the band made recently.  Sure, even with one guitarist you can track as many guitars on a recording as you can.  But with two guitarists comes an extra set of ideas.  It’s readily apparent on “Poison The Preacher”, one of the way more serious tracks here, where some of the riffs just don’t sound like they were just written my Ryan.  There’s so much more of an old school Hetfield-like crunch to them (I’m talking …And Justice For All era Hetfield, when he still had balls along with two years worth of emotional rage).  Extra props for that chorus hook – one of THE heaviest moments on the entire record!

Another big surprise here is the instrumental track, “Under The Waste Command”.  Oh yeah, it starts off like classic Waste, breaks into a very Maiden-like harmony, then breaks into a solo section with a rhythm that sounds like something right out of…a Megadeth album??  With a solo that sounds like it was played by Mustaine himself??  As of this writing I’m still not sure of whether or not Nick or Ryan played it.  But one of those two clearly did their homework.  It kind of reminded me of “Dialectic Chaos”, probably one of the ONLY tracks I liked on Endgame.  Fuck, even some of the riffs on the album closer, “Think Fast” sounded like latter day Megadeth at a certain point.

Slime And Punishment, to me, is everything we all love about Municipal Waste with a few great add-ons.  The album just shits frantic riffs played in a way only Ryan Waste can play them – but now with more of a crunch.   There are plenty of songs about humor, drinking, tons of debauchery, but now with even more energy than ever before!  The songs are all under three minutes and that’s actually fucking perfect.  Songs that sound like this would totally risk becoming stale if it went over that mark for sure.  Then again I’m personally a little biased for shorter songs more and more these days.  I blame it on my growing taste for Grindcore and Powerviolence bands.  But more so than that, the album can also be seen as a glimpse into the future for Municipal Waste.  If they stick to what they did here their next few records can proof without a shadow of a doubt that they still have yet to reach their full potential after all.  So was Slime And Punishment worth the five year wait?  You fuckin’ bet it was!

Key tracks: Breathe Grease, Enjoy The Night, Shrednecks, Parole Violators, Poison The Preacher, Under The Waste Command, Think Fast

https://open.spotify.com/embed/album/4OjYHchQyvgOF2zAeGjyFh

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RPS Jersey Rumble May 21st, 2016

So here we are, May 21st has come and gone and I still haven’t even unpacked my bag days later.  I should though.  Whatever.  It was a hell of time…I just don’t know if my girlfriend or my father will come to one of these again just because of how long this meet was!

We arrived at the Ramada Plaza Hotel around 10:30ish, a good half an hour ahead of schedule for weigh-ins.  Having weighed in at 181 that morning I made sure to eat a nice big breakfast of four scrambled eggs, flank steak, an English muffin and grape flavored juiced aminos so I could make my weight class, which was 198 and when I weighed myself again before leaving I was 184.  So I’m ok, right?  Well, I guess all the cardio I was doing up until a week before this must’ve clearly put my metabolism into overdrive because when I was weighed in by Gene Rychlak’s mother-in law I weighed in at 182.8, having apparently dropped nearly two pounds during the ride, putting her in a panic in the event that I placed and would have to get weighed again.  But I assured her I was going to eat more and she was relieved…not that it mattered much because I knew I wasn’t placing in anything.

After weighing in I went into the hotel ballroom were the first wave of the day, featuring the Women’s and Juniors Divisions was still running.  Damn…it felt partially like a rock concert, partially like a biker convention.  Loud 80’s metal was playing, a banner in the background with Ed Hunter on it, lights on the stage like an 80’s concert, tattoos everywhere, dudes with serious muscle, some women with serious muscle.  You know, I have an issue with some women that choose to juice just so they can get the muscle mass they couldn’t get otherwise just because they naturally don’t carry as much muscle as men.  There were a few chicks that looked awful pretty but when they began to speak their voices where pretty damn low.  Also, since testosterone is supposed to help with burning fat I saw one or two chicks that legit had no titties – it was all pecs like a guy!  Not that I haven’t seen this before but if I ever come out of musical retirement I’m going to write a song about chicks on juice and call it “No Titties”.

On the table in the back was a whole bunch of trophies that the winners are actually allowed to pick from, which I think is pretty cool.  I’m assuming that Gene Rychlak or his designer are sick metalheads or just really into Conan The Barbarian because look at some of these trophies!

9d2b3458b8133eab201455c881742652  IMG_20160521_113453014 IMG_20160521_113438252_HDR  IMG_20160521_113445536_HDR

Then I saw a dude who looked like Bam Bam Bigelow back from the dead but instead of having the skull covering tattoo he had a nice, thick chain around his neck, like something you’d get at a hardware store.

Bam Bam Bigelow

Just tell me that isn’t badass – I even went up to him and told him it was badass!  Turns out he works for Gene and is his Minister of Information, as well as the guy who spotted everyone during squats.

Things were a bit delayed and we didn’t really start on time, but needless to say I smoked all my squat attempts, building up to 260lbs which my girlfriend took pictures of but didn’t film.  I did, however, get one red light for my second attempt at 245, most likely because I didn’t sink enough.  Some people thought I did it perfectly but I know what I felt.

showtime 3                                   showtime 4

 

 

 

That 260 felt easy.  The biggest relief, more so than even that, was that I had absolutely no rotator cuff problems; that was a huge concern for me going into this.  Starting with my third Bench Press attempt of 160lbs, my girlfriend finally started filming.  She had some issues with her old phone so she didn’t get the first two attempts.  So starting with the last Bench attempt and all three deadlift attempts everything is on film.

All my attempts were real easy, easier than I thought – especially that 360lbs Deadlift.  Although I have to say this: there’s nothing worse than getting psyched up for a lift and then really shitty music comes on.  Republica’s “Ready To Go” came on during my first attempt and then The Scorpions came on during the 360 attempt.  Fuck The Scorpions!  Couldn’t I lift to “Mr. Tinkertain” like a few guys got to do?  Now THAT would’ve been badass!

I went to get to the merch table to get my complimentary free shirt for competing and one of the dudes who spotted during squats told me “You need to put more weight on there, you totally smoked it.”.  So will I do this again?  Most likely, just a matter of when.  I also don’t know if my girlfriend would go with me again or that my dad would come and see me again because I didn’t get out until nearly 11pm!

 

 

File_003 (1)

My Results:

Squat – 235, 245, 260

Bench Press – 130, 145, 160

Deadlift – 305, 330, 360

Total – 780

Check out Revolution Powerlifting Syndicate at http://www.revolutionpowerlifting.com

Final Thoughts

So, as of this writing, Nick Menza’s death has been a declared a massive heart attack brought on by heart disease.  At 51 years old that makes his death the ultimate heavy metal tragedy of the year unless something far worse happens.  That’s too young and while, most people are crying because the Rust In Peace-era reunion is surely not happening now, I feel far worse for his two kids.

And speaking of which, so how about that nice little damage control statement that Dave Mustaine released followed Nick’s death.  They were always close right?  Things happened and that’s why they didn’t get back together last year, right?  Funny because there are multiple interviews were Mustaine admits that it didn’t happen simply because he didn’t want it to happen.  So this benefit show he now wants to put together to help out his kids?  Like I said…damage control.  It’s true, isn’t it…that only the good die young?

 

Final Pre-Meet Workout Notes/First Megadeth Album Uploaded

First Megadeth Album Uploaded

So last night I got a bit bored and looked at the music on my laptop and saw that I had the first three Megadeth albums – not that remixed shit either!  Although I do in fact have the remixed 2002 re-release of Killing Is My Business…And Business Is Good! along with the original.  So I decided to start uploading my Megadeth albums on my YouTube channel, starting with the original version of Killing.  Here’s the link:

Oh sure, Mustaine did a great job when this was remixed sixteen years later.  But this isn’t such a bad job considering they blew half their budget on speedballs and needed an extra four grand just to finish the record and STILL make it sound so BRUTAL!

Final Pre-Meet Workout Notes

I did my final squat workout last Thursday leading up to my Powerlifting debut next Saturday.  I pulled off 245lbs for a single, although if I wasn’t preparing for a meet I know could’ve hit more reps than that.

It was good but as I was starting my working sets leading up to that single I felt the bar press on my right rotator cuff so bad that it hurt for two more days afterward.  I need to work on my shoulder mobility this whole week because I’ll be squatting with a 65lb bar at this meet, which I’ve never done before, and I sure as fuck don’t feel like getting injured next weekend.

Aside from working on mobility I’m not doing any training this whole week.  It was a bit weird waking up today and NOT heading to the gym.  I’ll definitely plan to film my lifts on meet day as well as take as many pictures as I can.  I’ll be at the Revolution Powerlifting Syndicate Jersey Rumble on Saturday, May 21st 2016 at the Ramada Inn in Newark, NJ.  I’m competing in the 198lb Amateur division and my wave starts at 2:30pm, although I’ll have to be there by 11am for weigh-ins and have the rules given to me at noon.

Discovering True Anger In Metal; My First Powerlifting Meet

Discovering True Anger In Metal

I bought my first Megadeth CD, Cryptic Writings, in 1998 when I was fourteen, almost a year after it was originally released.  I tried so hard to like it, I really did.  Fuck, I was anticipating a lot more from the guy who fired from Metallica AND named his band MEGADETH.  Come on! But I couldn’t.  It was way too fucking tame, even songs like “She-Wolf”, “The Disintegrators”, and even “FFF” were watered down compared to what I was expecting.  So I wrote ’em off like I did Metallica…especially after Risk!  That’ll just put you to fucking sleep!  At that time THE bands everybody my age listened to were the bands of the day like most kids do anyway, the bands in this case being Marilyn Manson (when he actually had balls), Korn (this was months before they became dead to me), OLD Metallica, Shit-vana (because it was some unspoken requirement to put that dead, talentless sack of shit on a pedestal), maybe one or two more that I can’t remember right now.

But over time I eventually discovered FAR BETTER songs from Megadeth thanks to WSOU like “Peace Sells…But Who’s Buying?” and “Sweating Bullets”.  Amazing.  It was near the end of my junior year in high school in 2001 when VH1 premiered their Behind The Music on the band.  Upon watching it my interest in the band was renewed before I even got to the fucking ten minute mark.  The intensity of everything from the way Mustaine alone grew up to the music being more badass than any riff Hetfield EVER came up with for Metallica to their beyond fucked up life style.  Then came the news that their next album, The World Needs A Hero, was to be heavier and a lot less radio friendly than the last two piles of shit.  And it was.  So over time I found myself buying most of the classics from their glory days.

Then near the end of 2001 I heard the news that Mustaine had remixed and remastered the band’s 1985 debut album, Killing Is My Business…And Business Is Good!, including a forward written by Scott Ian (because he’s only THE biggest metal fan on earth), as well as brand new artwork.  Remember this?

killing original

So badass.  Not!  So, the weekend it was released I went over to Sam Goody (remember that place?) and bought it.  After a funny ride home from a cab driver telling me about all the girls he’s fucked I wasted no time and popped that shit right in my radio.  The piano intro to “Last Rites/Loved To Deth” was crystal clear thanks to this new mix.  I loved how it seemed to tell a story before the main riff kicked in.  Holy shit this is intense!  Listen to those double bass drums!!  The morbidity of the song as he says “If I can’t have you then no one will!”.  That crazy, frenzied solo – is he using his Bill Lawrence pickups as frets to hit higher notes???  Someone call 911 – he just RAPED his B.C. Rich Bich…and it was good!

So this set the tone!  The entire album from here on in was pure balls to the wall, heavy as FUCK, ridiculously technical, jazzy time changes thanks to Chris Poland, whose solos run circles around most metal guitarists.  Kirk who?!  This was pure drug-feuled ANGER!!  Dave Mustaine was fired from what was to be THE biggest band in the world and he desperately had something to prove.  He was out for BLOOD.  The peak of the album?  “Looking Down The Cross”.  This song completely summarizes the album as a whole.  It’s well arranged, twists and turns at the right spots, Mustaine’s shockingly intelligent lyrics, the second of his two solos on the song is so panic stricken that it perfectly painted the mood of the entire song!  The final track was “Mechanix”.  For those of you who are new to this shit or live under a rock this is basically “The Four Horsemen” with a faster tempo, no slow interlude, and alternate lyrics about a horny gas attendant.  Mustaine wrote the song before he joined Metallica and gave it to them along with “Jump In The Fire”, but when they fired him James and Lar$ changed the lyrics and added the two slower parts and made it the song you know on Kill ‘Em All.  It was fun hearing this version of it, way more straight forward, way more badass.

I don’t know if I should thank Dave Mustaine’s thirst for revenge, drummer Gar Samuelson for introducing Mustaine and bassist David Ellefson to speedballs or both.  But I’ll tell you what…Killing Is My Business… was absolutely BRUTAL in the year predating Slayer’s Reign In Blood.  And with Mustaine’s amazing remix technique the newfound clarity amplifies that brutality times ten.  THIS was what I needed so bad in a time when everyone around me was listening to THE lamest, shittiest music you could find on radio in early 2002.  I was truly alone in this aspect but I didn’t care.  When my friends were listening to either Mudvayne or shitty emo bands like Weezer I was deafening my ears with Killing… for a long time.

My First Powerlifting Meet

REvPS

So after lots of thinking I finally decided to sign up for my first ever powerlifting meet, figuring that if I don’t do it now I might not ever.  So as of earlier this afternoon I will be competing in Revolution Powerlifting Syndicate’s Jersey Rumble at the Ramada Inn in Newark, NJ on Saturday, May 21st.  I’ll be part of the Amateur Open in the 198lb weight class in the Raw Modern Division.  The Open begins between 2:30 – 3:00 but I have to be there at noon to be given the rules, warm up, etc.  I’m going to see how I like it, regardless of how I do – which won’t be great.  If I like it I’ll do it again.  I imagine that if so I’d do one more meet later in the year, either in New Jersey again or somewhere in New York, most likely upstate somewhere.  If things go well maybe I’ll join USAPL, which is an affiliate of the International Powerlifting Federation.  If you’re reading this and plan on going to this feel free to drop me a line.

“Is That A Chick’s Ass????”

You see the guitar in the main picture?  Yeah?  Now look at the finish closely.  All you see is a pink guitar?  Look again…closer.  See it now?  Now, if you’re a guy under twenty you just jizzed yourself. Twice.  If you’re over twenty you can’t stop laughing, but you still have control over yourself.  You women though….oh, you….the mixed reactions you broads have given this guitar over the years…some of you are obviously offended…yet…some of you actually like it!!  Really???  Um…ok!

I’ll never forget the first time I laid eyes on this thing back in the early spring of 2004, probably the end of March.  My old music store, where I was no longer taking lessons at this point, was right next door to my shit job where I was working at the time so I took a visit until I had to go clock in.  I looked to my right and immediately saw this…guitar…hanging on the wall.  It was a B.C. Rich Bich, the one shape I’ve always wanted ever since I saw old clips of Dave Mustaine using it with Metallica on Megadeth’s VH1 Behind The Music episode three years earlier.  But this one was…different…and not just because it was part of B.C. Rich’s Body Art Series either.  The pervert in me immediately saw what a lot of people usually need a few looks to see.  Holy shit that’s a chick’s ass in a thong!  A chick’s ass is the finish of a guitar!  What does this say on the tag?  “Bich’s Back”?  Yeah, I’ll say!  Only $300?  Hmmmm.

I was told by the store owner’s piece of shit daughter, who I won’t name because she doesn’t deserve the recognition, that there were two other guitars like that but they sold quickly as should’ve been expected.  She then said that she arranged for B.C. Rich to recall the last one?  Why?  “Because I don’t want kids to come in here and see it.”  I wish I knew what the big deal is, as far as I know she’s only music store employee I ever knew that would say something that stupid.  It’s been more than eleven years since I heard that remark and I still can’t believe I heard it!  So fuckin’ what if a kid sees it??  After much debating I asked this dumb bitch when B.C. Rich were supposed to come.  “Friday”, she told me.  “Yeah?  Well call them and tell them to forget it.  I’ll be back here when I get paid to put money down on it.”, was my immediate response.  I had to get this thing.

The very next Friday I went back there right after I got out of work and used part of my tax return to pay the rest off and this baby was mine!  As the store owner’s cunt of a daughter was counting my money she quipped in a pretty serious tone “I think you’re a pervert for buying this!”.  Oh I have stories on this twat that could last a whole day’s worth of conversation; but then you’d have to knock me out to shut me up.  But who gave a shit?  They had $300 of my money since I was no longer taking lessons with them at this point anyway AND I had a guitar that practically screamed sleazy, filthy no condom fucking…with the risk of a few STDs.  Twenty four frets for hitting those high notes to make this bich scream, a curvaceous body, that finish!  The store’s owner offered to drive me to the mall since I wanted to grab some food before I went home since I didn’t have a car yet; while in his van I asked him if he thought I was a perv like his jackass daughter said I was for buying the guitar.  “I think it’s the most macho thing you can buy!”, he quickly responded.

My time in the mall?  Oh that was just fantastic!  I was given an acoustic guitar case to carry the Bich in because of it’s abnormal shape and when I arrived at the food court to eat I ran into someone and I sadly don’t remember who the guy was.  I showed him the guitar and he couldn’t believe the finish on this.  At that very moment I was approached by this guy I’ve seen on and off at bus stops in his Fun Station USA work shirt.  He had long hair in a pony tail with an under shave and he wanted to let me know that and he and his girlfriend both saw my guitar from across the way and he wanted to tell me he thought it was awesome.  That was cool and he seemed like a nice guy.  The problem?  His girlfriend, who was giving me the death stare right behind him, was this lunatic who I was crazy enough to be friends with not even two years earlier and to say the least I was surprised she was still alive.  I actually spotted her crazy ass a month earlier at a show and when I told my dad the next day even his response was “She’s still alive??”.  So as much as her boyfriend – and future baby daddy – was cool, I could not wait to brush him off as quickly as I could!

It’s amazing, the kinds of people you can attract just by carrying a guitar.  While I was on my way home I was waiting to transfer to my second bus when some homeboy asked to see my guitar.  “Yo dat shit is dope!”, he yelled out with a big laugh.  Then came this weird looking lady who clearly had to be in her late forties.  She saw that I had a B.C. Rich and decided to tell me this story that I still don’t know if I want to believe, in which she saw Metallica with Mustaine on lead guitar at a show.  According to her Dave was playing his first B.C. Rich guitar.  He hated it so much that at the end of the show he smashed it and one of the wooden shards hit this lady’s neck, cutting it open.  She then told me she would force it to stay open for weeks because she wanted to keep the memories.  Ok….

The next day I finally plugged it in and I was kind of surprised to hear how weak the pickups actually were.  I should’ve known, being that the guitar was kind of a novelty.  The solution?  Replacing them with EMG 85 and 81 pickups – problem definitely solved!  Goddamn this thing was loud after that.  I was playing it – and bragged about it – with a sense of pride for years.  It just screamed “METAL!!” as far as I was concerned.  I used it for years, I mean my next three bands.  I saw it as an attention grabber and my ex-guitarist from my first metal band joked that the guitar is the one thing I’d be remembered for.  Months before my second band’s debut gig in 2007 I decided the guitar needed a little extra kink if you will, so I went to Rudy’s on 48th St in Manhattan and got myself a Levy’s Leather Strap with chains going right down the middle.

Of course, not everybody liked the guitar.  Typical scenario: I’d bring the guitar somewhere, where is irrelevant.  I’ll take my guitar out and some woman will notice.  “That’s an interesting guitar, bring it over here.”  I bring it over.  “It’s so interesting that you’d have a pink guitar.  Wait…is that…oh…”.  Just like that she’s grossed out.  In fact the last time I had the guitar set up for it’s final shows in 2013, the female owner of the store I went to, Rustic Music Center, took one look and declared “that’s the funniest and grossest guitar I’ve ever seen” before calling the guys in the place to take a look at the finish.  I auditioned for the thrash band Sun Descends in 2005 and when I took the guitar out the lead singer, ex-Exumer vocalist Mem Von Stein, immediately said to me with weariness in his eyes “You have another guitar…right?”

But as I said earlier, some women thought it was amazing, including my brother’s ex-girlfriend as well as girls who worked at my college radio station.  Speaking of my brother, one day a friend of his that I used to go to school with gave me a ride to the bus, I think.  I had my guitar with me and when my brother told me to show the guitar his wannabe rapper buddy even he yelled out “What???  That’s AWESOME!!”  Yeah, the guitar even transcends musical boundaries.  At my first ever metal show some dope told me he wanted to have sex with my guitar.  My bodybuilder doppelganger and friend Jon has even considered buying one of his own all because of mine!

Since then I’ve been retired from band life.  So where’s the guitar been ever since I’ve moved to New Jersey?  In the closet because my girlfriend doesn’t want to see it.  Oh sure, I’ll take out from time to time.  I think I’d like to give it another setup.  I do know that if I ever got back into it and began work on the offensive metal project of my dreams there’s no better than my Bich’s Back to get the job done!

Here’s the Bich today:

IMG_20151101_163958795 IMG_20151101_164006142 IMG_20151101_164038068  IMG_20151101_164104554

 

My Thoughts on the Nick Menza Situation

Nick Menza

I read about this when the news broke but I was away in Kentucky with my girlfriend so I had no time to write about this.  Just a few days ago former Megadeth drummer Nick Menza finally broke his silence regarding the constant rumors that he and former guitarist Marty Friedman were rejoining Megadeth following the sudden departures of Shawn Drover and Chris Broderick not too long ago.  What he had to say was not too surprising but still a bit disappointing; but I’m not disappointed at Nick at all.  To save some time I’ll make this as quick as I can.

Not long after Shawn and Chris bounced on the two Daves, Justis Mustaine, Dave Mustaine’s son, posted a video of David Ellefson jamming out on “Rust in Peace…Polaris” with a drummer, but was careful not to show his face.  It sounded too good to be anyone else but Nick Menza so the rumor mill began.  To fuel the fire more any time the two Daves or even Nick himself were approached on the subject neither one of them gave a straight answer.  So we were all a tad saddened to learn that Mustaine had hired Lamb of God drummer Chris Adler to play drums for the next album.  Should be interesting to hear, don’t get me wrong, I’m a Lamb of God fan and that band is HUGELY influenced by Megadeth.

Then came Nick’s statement.  First off he revealed that he was in fact the headless drummer in Justis’ video.  Well, duh!!  I mean come on, who else would that be?  No one can play the way Nick does!  As I said before, it was too good to be anyone else!  He also revealed that he also recorded a few drum tracks for the upcoming album and he even had dinner with the two Daves, their ex-manager, Ron Laffitte, and even Marty Friedman.  Sounds good right?  Well apparently not.  As soon as Nick got home he decided it was time to talk writing credits.  This is where shit gets dicey because at the end of the day this is the music business.  Sometimes agreements get worked out, sometimes they don’t.

According to Nick he received a “very unfair deal that is so wrong”, basically insinuating that Mustaine was going to give him pennies, in comparison to what he alone must make off royalties.  When he tried to renegotiated with Mustaine he apparently blocked Nick’s e-mails, changed his number and even fired Ron as their manager for the second time. I don’t know about you but that last part sounds a bit extreme to me.  No?

But then Nick said the one thing that once again makes him come off as the better man yet again:

“Despite this dark final chapter, I wish MEGADETH the heartiest of health, happiness and success with their future plans.”

Boom!  Done!  Here’s the thing – this is not the first time that this has happened to Nick and neither is this the first time Nick acted as the better man.  During his time as the youngest member of Megadeth during their most successful years, he was seen as immature, and was pulling hi-jinks that the other members had naturally grown out of.  But as life has shown – people do change.  A while back Nick spotted Dave Mustaine at NAMM and decided to approach him like a man.  Dave decided to brush him off.  Nick was surely a tad hurt but he still wished Dave the best, making him the better man and showing that he did in fact grow up.  Hell, I know I’d be cursing his ass out if I were put in that position.

So honestly, I gained a bit more respect for Nick.  He got screwed by a guy he spent the best years of his career with and instead of going online and being bitter about it he was the better man.  And he would’ve totally been justified to be bitter.  Who changes their number just to avoid a guy that wants to talk??  A bitch – that’s who!  I had a lot of respect for Dave Mustaine.  I grew up worshiping the ground he walked on.  His music – back when his shit hit a nerve with people – made such a HUGE impact on my guitar style and my life as a whole.  I’ve witnessed him seemingly losing his mind over the last few years but this is just pathetic, so low it’s even beneath him.  Over royalties?  Really?  There are other reasons to change your number to avoid someone, not over something so fucking petty.

I’d like to wish Nick Menza the best.  I’m excited to hear his new project with James LoMenzo and Chris fucking Poland!!  I sadly can’t say the same about Megadeth.  They lost it a long time ago but Mustaine lost a little personal integrity now as well.  I just wish David Ellefson could see the light, get out again and stay out this time for his own sanity.

Final Thoughts…

Unrelated to the whole Nick Menza situation; I’d like to express my relief in also hearing recently that not only did Black Sabbath pull out of their Ozzfest Japan shows in November, but apparently it was never to be their farewell.  Sharon Osbourne seemingly forgot to mention that it would’ve just been their last Japan show.  It was kind of odd since the band does want to do one last album and a farewell tour.  Maybe the tour will end at home like I said they should do.  Who knows?