The Return Of GOD: Megadeth – Live At Roseland Ballroom November 10th 2004

I realized that it’s been a long time since I wrote about my concert history, the last time I wrote anything was about my trip to Ozzfest ’04 featuring headliners Slayer, Judas Priest and Black Sabbath…with Rob Halford on vocals.  Click here if you never read it:

https://metalheadconfessions.com/2016/06/30/possibly-the-best-ozzfest-lineup-ever-ozzfest-2004-august-26th-2004/

But that left one more concert for that year and it was one I NEVER thought I’d see.  Seriously.  Never.

A year earlier, Thrash Metal pioneer Dave Mustaine, who had quit Megadeth – his own band – and retired from music over an arm injury, had announced he was coming out of retirement.  He’d even gotten himself a brand new endorsement deal with ESP Guitars…which I’d wonder from time to time after that if that was yet another blatant attempt to feel validated by his ex Metallica bandmates, as James Hetfield had been endorsed by them since 1988 and by the way still is.  He had announced plans to remix and remaster the entire Megadeth catalogue, which he had actually started in 2001 when he remixed and remastered the band’s 1985 debut Killing Is My Business…And Business Is Good…which really did give the record a fresh pair of raw, drug addled BALLS.   Dave also mentioned the idea of recording a solo record that while he’d never tour for, he’d probably perform a small handful of club shows.  Or so he thought.

About a year later Mustaine started posting snippets of new recordings and to say the least, they did sound promising.  Very promising.  This was also following the news that he managed to get former Megadeth guitarist lead guitarist Chris Poland to play on this new record…which was now a Megadeth record by name only due to contractual obligations with his publishing company.  Let’s speed this up: he teased us with the release of three songs that sounded fucking great.  Later in the year he released The System Has Failed, featuring those three songs as the opening three tracks.  After that it’s such a fucking shitfest.  From a musician’s standpoint the guitar tones were so fucking WEAK due to Mustaine playing an old Marshall Plexi, which is NOT the appropriate amp to play his style of music to begin with.  Second of all, I understood that this was recorded as a solo record before Mustaine was forced to make it a Megadeth record, so I expected to hear a musical departure of sorts.  But this whole album minus the first three songs was just lame.  Oh, and if you’re reading this and you happen to be one of the jackasses that proclaimed that The System Has Failed was the “best album since Rust In Peace!”, you should jump in front of an 18 wheeler yesterday.  Thanks.

Around the time of the album’s release Dave appeared on Friday Night Rocks with Eddie Trunk to discuss everything that was happening from the album’s release to his MAJOR fallout with co-founder/bassist David Ellefson to Ellefson, Marty Freidman and Nick Menza – the classic Rust In Peace lineup – all refusing to join him on this comeback tour.  But when he gave Eddie the list of tour dates he said the New York City on November 10th was a possibility (he couldn’t remember for sure at the time) I knew to save the date.  Yeah the “comeback” record was weak but this allegedly was going to be the last time Dave Mustaine went on the road under the Megadeth banner so I didn’t give a shit.  I had worshiped this guy since high school and some of my own guitar technique were taken from him.  There was NO WAY I was missing this.

Tickets were pretty cheap at $36 each so I bought tickets for the guys in my band at the time: Idrees and Chad (who never paid me back).  Our newest addition to the band, our drummer Chris, met us there with his girlfriend Shari and her sister Marissa, who was actually the music director of my college radio station at the time, along with her boyfriend Vin.  Marissa claimed to be a big Megadeth fan but as she’d admit to later on, she was nothing more than a poser.  I loved her to death – and she also had a great pair of titties! – but don’t call yourself a big fan of ANY band if you only have two albums from that band.

We arrived at the now-defunct Roseland Ballroom, close to the Ed Sullivan Theater in Manhattan, looking so 80’s it was hilarious, myself wearing a leather jacket with my denim vest over it and leather gloves with my dog chain that I still have.  I had already learned that I’d rather wear just a plain, black shirt instead of any band shirt in order to avoid random losers interrogating me on love of said band and telling me stories I could honestly give two shits about.  As we all walked in, the opening band, Exodus were playing.  This was weird to see only because they had JUST released a new album, Tempo Of The Damned, only for longtime vocalist Steve “Zetro” Sousa to quit shortly after.  So who was singing for him?  Steev from Skinlab…who was doing way too much to try to look like Phil Anselmo circa 1996, between the undershave haircut (Idrees called it the Vagina Haircut), the leather cuffs, the short sleeve flannel shirt, the green cargo shorts and his tendency to always bend down to scream…which by the way Phil stole from Henry Rollins.

In between bands, as Megadeth were next, Idrees was approached by this muscular, 16 year old kid with glasses, who apparently met him in a pit during an Overkill show at the also now-defunct B.B. King’s.  After they shared a few words the boy turned to me and said he knew me too.  I was very confused; between his physique and the glasses I was sure he had to have mistaken me for someone else, until he reminded me that he met me at my former music store were I was still taking lessons at the time, and that he had approached me when he heard me playing the Megadeth song “Sweating Bullets” on an acoustic guitar.  That was two years earlier and I had not seen him in that long a time so the fact that he remembered me was impressive.  Nonetheless we were both stoked to see each other.  We’d wind up hanging out together almost frequently for the next four years after this night but that almost didn’t happen and here’s why!

The lights went out, the crowds lost their shit as Ice T’s “Shut Up, Be Happy” began blaring through the speakers…

One by one, the current touring lineup Mustaine put together for this tour start to walk out on stage: drummer Shawn Drover, ex-Iced Earth bassist James MacDonough, guitarist Glen Drover.  There’s wall of sick looking Marshall cabinets on the stage with a drum kit that looks a LOT like something Nick Menza would’ve played.  After a minute of two…you could hear the sounds of another guitar playing the beginning of “Set The World Afire” from 1988’s So Far, So Good…So What!.  That’s when Dave Mustaine finally walked out on stage, chugging away on his guitar.  At that moment I felt a foot come out of nowhere, kicking me right in the fucking nose, making me bleed.  Then the entire crowd were to become one gigantic mosh pit, meaning Rob and I, as quickly as we were reunited, were being forcefully pushed apart.  We tried to grab on to each other but this crowd was understandably way too violent to try and overcome unless I really wanted broken bones to go with the bloody nose.

The band pulled out the classics on after another, starting with “Afire” and kicking right into “Skin ‘O’ My Teeth” into “Wake Up Dead”, which is when shit REALLY got out of hand.  Then again, if you know ANYTHING about Megadeth I shouldn’t have to tell you that “Wake Up Dead” is essentially that one song meant just for moshing once the band gets into that middle riff after Dave’s first solo.  And that was immediately followed by “In My Darkest Hour”.  The band were really able to hold there own, although I always thought Shawn Drover was the least dynamic drummer in Megadeth’s entire history.  Mustaine, however was surprising.  He’d retired because he couldn’t even move his arm thanks to this bizarre injury he acquired and more than two years later he’s absolutely ripping it up as if nothing happened to him!  It honestly made me and probably a few others rather suspicious as to the actual severity of his injury.  But that’s a story for another time.

Here’s the setlist:

Set The World Afire

Skin ‘O’ My Teeth

Wake Up Dead

In My Darkest Hour

Something That I’m Not

Angry Again

Of Mice And Men

Reckoning Day

A Tout Le Monde

Die Dead Enough

Tornado Of Souls

Kick The Chair

Hangar 18

Sweating Bullets

Symphony Of Destruction

Back In The Day (featuring Exodus near the end of the song)

Peace Sells…But Who’s Buying?

Encore:

Holy Wars…The Punishment Due

At the end of the set, and after the band walked off the stage, Dave Mustaine walked back on for second.  “Thank you…for believing in me!”, he yelled out, before walking off for good.  As I said earlier, this was allegedly going to be the last time he toured not just under the Megadeth banner, but at all.  This would go on for another several months, and on to his first ever attempt at a festival gig, which I did go to.  But that’s for another article.

I no longer remember much about what happened after I left the building with my band, but I can only assume I bumped into Rob again and I’m sure we had to have finally exchanges numbers, either outside the building or on the ferry heading home.  He’d tag along with Idrees and I to see Megadeth in New Jersey two years later.  What I do remember, however, was driving not home, but to my Dad’s house after I was dropped off by ferry.  It was almost 2am; I knew that it’d be way easier to sleep there than home, where my jackass brother and mother were most likely fighting even that late at night.  I totally skipped my Astronomy class the following afternoon, having woken up around the time the class had just started, I think.  No regerts.  None.  But my radio show was that afternoon so I did have to head to campus whether I like it or not.  The show’s opener that afternoon?

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In Memory Of Nick Menza

“TELL ME THIS ISN’T TRUE! I woke at 4 AM to hear Nick Menza passed away on 5/21 playing his drums w/Ohm at the Baked Potato.”

Well Dave, it’s true, sadly – not to mention extremely random!  Guess this serves you right for trying to low ball the guy just last year, eh?

I woke up very late today, having slept in after a very long powerlifting meet, which I’ll write about another time.  My girlfriend woke up after I did when I realized we slept the entire morning and she went to her phone.  “Holy shit!”, she said with the look of sheer shock on her face, and that when she showed me the Blabbermouth article:

“Former MEGADETH Drummer NICK MENZA Dies AT 51”

“WHAT?!”  I proceeded to read that he had passed out on stage in Studio City, Ca last night, three songs into a set with Jazz Fusion band OHM and was pronounced dead on arrival, most likely of a heart attack.  How ironic.  Because a heart attack is exactly how OHM’s last drummer, David Eagle, died just a year ago.  To further add to the irony for those of you who are completely unaware, OHM is fronted by ex-Megadeth guitarist Chris Poland.

A lot of musicians have been dropping like flies all year, most of them I truly could give two shits about but THIS is just a tad too random for me.  And it bothers me because this guy was seriously such a great drummer.  Everything he did, whether it was complicated or simple, sounded amazing because his feel was perfect.  Every time.

It definitely showed on those four albums he did with Megadeth, even on Cryptic Writings, the beginning of the band’s downfall as far as I’m concerned.  Listen to anything off his first two albums with them alone, Rust In Peace and Countdown To Extinction, and you’ll probably have no choice but to agree that he was probably the most athletic drummer Megadeth ever had.  Gar Samuelson was jazzy, Chuck Behler was damn good too, but neither Gar or Chuck had Nick’s energy.  Oh, it also helped that he had an incredible physique to go with that ability!

I wrote an article about Nick just over a year ago, not too long after I began this blog.  At the time it had been revealed that both Nick and Marty Friedman were in talks with Dave Mustaine regarding rejoining the band, prompting a full-on Rust In Peace-era reunion.  Problem?  Mustaine wanted to pretty much low ball Nick to the point that he’d be getting pennies in plain English.  Not too long before that he approached Mustaine during NAMM and Mustaine completely brushed him off – very immature for a guy that said he fired Nick from the band back in 1998 because of his immaturity.  Hey Dave, so…who’s the immature one now, Mr. Born-Again Bitch?

On top of that I’ve been seeing some recent pictures of Nick in the last few hours, he was looking really good and clearly looked like he was having a lot of fun on stage too.  My condolences go out to his family.  Here are a few tracks to demonstrate the sheer talent of Nick Menza without resorting to “Holy Wars…The Punishment Due”.

Rest In Peace Nick Menza 1964 – 2016

Final Pre-Meet Workout Notes/First Megadeth Album Uploaded

First Megadeth Album Uploaded

So last night I got a bit bored and looked at the music on my laptop and saw that I had the first three Megadeth albums – not that remixed shit either!  Although I do in fact have the remixed 2002 re-release of Killing Is My Business…And Business Is Good! along with the original.  So I decided to start uploading my Megadeth albums on my YouTube channel, starting with the original version of Killing.  Here’s the link:

Oh sure, Mustaine did a great job when this was remixed sixteen years later.  But this isn’t such a bad job considering they blew half their budget on speedballs and needed an extra four grand just to finish the record and STILL make it sound so BRUTAL!

Final Pre-Meet Workout Notes

I did my final squat workout last Thursday leading up to my Powerlifting debut next Saturday.  I pulled off 245lbs for a single, although if I wasn’t preparing for a meet I know could’ve hit more reps than that.

It was good but as I was starting my working sets leading up to that single I felt the bar press on my right rotator cuff so bad that it hurt for two more days afterward.  I need to work on my shoulder mobility this whole week because I’ll be squatting with a 65lb bar at this meet, which I’ve never done before, and I sure as fuck don’t feel like getting injured next weekend.

Aside from working on mobility I’m not doing any training this whole week.  It was a bit weird waking up today and NOT heading to the gym.  I’ll definitely plan to film my lifts on meet day as well as take as many pictures as I can.  I’ll be at the Revolution Powerlifting Syndicate Jersey Rumble on Saturday, May 21st 2016 at the Ramada Inn in Newark, NJ.  I’m competing in the 198lb Amateur division and my wave starts at 2:30pm, although I’ll have to be there by 11am for weigh-ins and have the rules given to me at noon.

Discovering True Anger In Metal; My First Powerlifting Meet

Discovering True Anger In Metal

I bought my first Megadeth CD, Cryptic Writings, in 1998 when I was fourteen, almost a year after it was originally released.  I tried so hard to like it, I really did.  Fuck, I was anticipating a lot more from the guy who fired from Metallica AND named his band MEGADETH.  Come on! But I couldn’t.  It was way too fucking tame, even songs like “She-Wolf”, “The Disintegrators”, and even “FFF” were watered down compared to what I was expecting.  So I wrote ’em off like I did Metallica…especially after Risk!  That’ll just put you to fucking sleep!  At that time THE bands everybody my age listened to were the bands of the day like most kids do anyway, the bands in this case being Marilyn Manson (when he actually had balls), Korn (this was months before they became dead to me), OLD Metallica, Shit-vana (because it was some unspoken requirement to put that dead, talentless sack of shit on a pedestal), maybe one or two more that I can’t remember right now.

But over time I eventually discovered FAR BETTER songs from Megadeth thanks to WSOU like “Peace Sells…But Who’s Buying?” and “Sweating Bullets”.  Amazing.  It was near the end of my junior year in high school in 2001 when VH1 premiered their Behind The Music on the band.  Upon watching it my interest in the band was renewed before I even got to the fucking ten minute mark.  The intensity of everything from the way Mustaine alone grew up to the music being more badass than any riff Hetfield EVER came up with for Metallica to their beyond fucked up life style.  Then came the news that their next album, The World Needs A Hero, was to be heavier and a lot less radio friendly than the last two piles of shit.  And it was.  So over time I found myself buying most of the classics from their glory days.

Then near the end of 2001 I heard the news that Mustaine had remixed and remastered the band’s 1985 debut album, Killing Is My Business…And Business Is Good!, including a forward written by Scott Ian (because he’s only THE biggest metal fan on earth), as well as brand new artwork.  Remember this?

killing original

So badass.  Not!  So, the weekend it was released I went over to Sam Goody (remember that place?) and bought it.  After a funny ride home from a cab driver telling me about all the girls he’s fucked I wasted no time and popped that shit right in my radio.  The piano intro to “Last Rites/Loved To Deth” was crystal clear thanks to this new mix.  I loved how it seemed to tell a story before the main riff kicked in.  Holy shit this is intense!  Listen to those double bass drums!!  The morbidity of the song as he says “If I can’t have you then no one will!”.  That crazy, frenzied solo – is he using his Bill Lawrence pickups as frets to hit higher notes???  Someone call 911 – he just RAPED his B.C. Rich Bich…and it was good!

So this set the tone!  The entire album from here on in was pure balls to the wall, heavy as FUCK, ridiculously technical, jazzy time changes thanks to Chris Poland, whose solos run circles around most metal guitarists.  Kirk who?!  This was pure drug-feuled ANGER!!  Dave Mustaine was fired from what was to be THE biggest band in the world and he desperately had something to prove.  He was out for BLOOD.  The peak of the album?  “Looking Down The Cross”.  This song completely summarizes the album as a whole.  It’s well arranged, twists and turns at the right spots, Mustaine’s shockingly intelligent lyrics, the second of his two solos on the song is so panic stricken that it perfectly painted the mood of the entire song!  The final track was “Mechanix”.  For those of you who are new to this shit or live under a rock this is basically “The Four Horsemen” with a faster tempo, no slow interlude, and alternate lyrics about a horny gas attendant.  Mustaine wrote the song before he joined Metallica and gave it to them along with “Jump In The Fire”, but when they fired him James and Lar$ changed the lyrics and added the two slower parts and made it the song you know on Kill ‘Em All.  It was fun hearing this version of it, way more straight forward, way more badass.

I don’t know if I should thank Dave Mustaine’s thirst for revenge, drummer Gar Samuelson for introducing Mustaine and bassist David Ellefson to speedballs or both.  But I’ll tell you what…Killing Is My Business… was absolutely BRUTAL in the year predating Slayer’s Reign In Blood.  And with Mustaine’s amazing remix technique the newfound clarity amplifies that brutality times ten.  THIS was what I needed so bad in a time when everyone around me was listening to THE lamest, shittiest music you could find on radio in early 2002.  I was truly alone in this aspect but I didn’t care.  When my friends were listening to either Mudvayne or shitty emo bands like Weezer I was deafening my ears with Killing… for a long time.

My First Powerlifting Meet

REvPS

So after lots of thinking I finally decided to sign up for my first ever powerlifting meet, figuring that if I don’t do it now I might not ever.  So as of earlier this afternoon I will be competing in Revolution Powerlifting Syndicate’s Jersey Rumble at the Ramada Inn in Newark, NJ on Saturday, May 21st.  I’ll be part of the Amateur Open in the 198lb weight class in the Raw Modern Division.  The Open begins between 2:30 – 3:00 but I have to be there at noon to be given the rules, warm up, etc.  I’m going to see how I like it, regardless of how I do – which won’t be great.  If I like it I’ll do it again.  I imagine that if so I’d do one more meet later in the year, either in New Jersey again or somewhere in New York, most likely upstate somewhere.  If things go well maybe I’ll join USAPL, which is an affiliate of the International Powerlifting Federation.  If you’re reading this and plan on going to this feel free to drop me a line.