RPS Jersey Rumble May 20th, 2017

I gave myself a few higher expectation this time.  Yeah, it was only my second meet, but after a year of practically training for power and nothing else I decided the time had come for me to at least somewhat challenge myself.  Hell, in the year since my last meet my Squat had finally hit the 300’s and my Deadlift was just 15lbs away from hitting 400.  My Bench Press?  I really don’t want to even go there.  But I knew going into this meet that my shoulders were absolutely fucked, a result of carrying around a leather shoulder bag by the handle because the strap was broken and having a bunch of weight pulling on my joints.  To make matters just a bit worse, I was at a park with my students the day before this meet and one of them asked me to play catch with him.  Of course I couldn’t just tell him no.  The problem?  Throwing a football requires a tad more force – or power! – than a regular ball, especially if you want to throw a spiral.  So yeah, my throwing arm was now even more fucked.  Just great.  This fuckin’ kid is so lucky I like him.

So I arrived at the Ramada Plaza Hotel just a tad more focused…and even more anxious than last time!  See, I had planned my opening lifts maybe just a week in advance, not because I was procrastinating, but because I wanted to feel comfortable knowing I was going to least pull those off – especially with the squat.  If there’s one very important psychological tool I learned from Jim Wendler, it’s that you want to be able to just bang out your Squat opener.  If you do that you’re confidence will sky rocket, if not, your confidence as a whole might just do a nice, big nose dive.

I weighed in at 179.8lbs, which was fine since this was my first meet in the 181lb weight class along with the Raw Modern division (knee sleeves or wraps), managing to hit 180lbs not even a handful of times in the last few months alone.  Since we were as early as we were I had plenty of time to take since pictures, but not many because almost as soon as I walked into the ballroom I almost immediately ran into PJ Santa Teresa, who was competing in the 198lbs weight class and the Raw Classic division.  He also won first place last year.  I ran into Eric Chase a few minutes later and the three of us just got lost in all things Powerlifting for while, with me even educating PJ on the Doug Young won the 1977 IPF World Championships with three broken ribs.  In fact he might be the topic of my next post!  So anyway, because I got stuck talking to PJ and Eric for a while I found myself not taking too many pictures.  But I sure noticed some sick new trophies!

This shit right here is exactly why I’d kill to win just one trophy from this fed.  So fucking metal.  Seriously.

So I made sure that this time around all my lifts were filmed and you can see them all right here!

But for the actual story, I already knew in advance that I’d be going for a 330lb squat PR for my final lift so long as my first two attempts were successful, which they were.  Once again, C4 was my buddy because was nice and warmed up, and real fuckin’ jumpy.  So after hitting my first two attempts of 280lbs and 305lbs I’m starring at the monolift with full concentration.  Trying to channel Doug Young; what you can’t hear in the video above is that I’m so into shit now that I’m growling as if I was Doug himself…only his growl was WAY more terrifying!  You know what…I think I AM going to write about Doug next.  Anyway, I’m feeling stuck at the half way point, all it took was me screaming “UUUUPPP!!!” at the top of my lungs and I had all three green lights.  Quick fun fact:  Both of my second squat attempts from this year’s Rumble and last year’s only had two green lights.

My Bench Press attempts were where it all started to go to shit, making me feel like all my energy must’ve gone into squatting.  As I said earlier…my shoulders were in shit shape, so my opener and second attempt, both green lighted, were a measly 150 and 160.  After the second attempt I was in so much pain that I lower my third attempt from 180 to 170, fearing an injury over just not getting the lift.  Here’s where I think I should’ve used a wider grip width because my grip alone was not an issue, having finally fixed that issue not too long ago.  But either way, as soon as the bar hit my chest it wasn’t going back up.

I had a lot of time to kill before Deadlifts so I spent it eating salty snacks and drinking gatorade, taking in as much sodium as I could, since sodium retains water as well as helps to restore electrolytes.  I also took my other bottle of C4, ensuring I’d have the energy I’d need if I though I was going to pull 420lbs.  I made sure I was focused, even if the preworkout alone wasn’t hitting me like it did for squats.  So I opened with 355 and my second attempt was 385.  After I hit that number I somehow felt confident enough to request 420 as my final lift.  This would’ve brought my total into the low 900’s.  After about ten minutes my flight (or group) was called up for our final attempts.  Eric told me he was just going for 400lbs, which appalled me a bit because I know he had more in him…although I now wish I did the same.  Eric hit his number beautifully, and I was a few lifters behind.

It’s now my turn, standing behind the bar, ammonia cap under my nose for extra stimulation, mid chest length hair down like I’m Dan Green or some shit.  I’m nervous and excited at the same time as I take a deep breath and manage to just rip the fuckin’ bar right off the ground.  But at the halfway point I got stuck and couldn’t lock out.  At all.  It was so bad I even dropped the bar, which you’re not supposed to do.  I’m now FURIOUS.  Slamming down my Inzer Forever Belt, all I wanted to do was throw shit everywhere.  After taking two minutes to kind of calm down I asked my girlfriend to show me the video.  And there it was – my hips went up way too early.  I was fucked from the beginning!  Was I that nervous that I wasn’t focusing on my body movements?  Most likely.  So now my total was going to be 875.

After my flight PJ went on to deadlift 550lbs for his second attempt and it was fucking FLAWLESS.

That look on his face at the end gets me every time.  He tried to go for 600lbs after this; he was just about to lock out when he BLACKED out instead, falling face first in front of the judge’s feet.  Rising blood pressure is a bitch.  He still managed to win 3rd place, by the way.

I plan on going back to the gym next Sunday and I’m going to start using Jim Wendler’s 5/3/1 Boring But Big template, which is essential a Powerbuilding program.  I think it’s time for me to focus more on muscle mass for a bit, especially in regards to my chest and shoulders.  I’m also considering trying the Sumo Deadlift stance to reduce my range of motion and take some stress off my lower back and put it on my quads.

My stats for Jersey Rumble 2017:

Squat: 280, 305, 330 (PR) 3/3

Bench Press: 150, 160, failed with 170 2/3

Deadlift: 355, 385, failed with 420 2/3

Total: 875

Be sure to follow PJ and Eric on Instagram:

PJ Santa Teresa @pjironmind  Eric Chase @_echase

Make sure to follow me as well on both Facebook and Instagram:

https://www.facebook.com/Confessions-Of-An-Angry-Metalhead-1237695776242081/?ref=aymt_homepage_panel

 

https://www.instagram.com/confessionsofanangrymetalhead/

 

IMG_20170520_112804955.jpg

                         Left to right: PJ Santa Teresa, Eric Chase, Angry Metalhead

Darkthrone Or Metallica: Which Training Are You? By Jim Wendler

Here’s my first blog of the year.  Haven’t been free to write sooner.  So if you follow me on Instagran @confessionsofanangrymetalhead you’ll most likely also see the hashtag #jimwendlerisgod underneath most of my lifting related posts.  Well, he is; and here’s one of many reasons why!

Underneath this is the link to a blog piece I just discovered on his website which pretty much sums of his training philosophy along with that of most real lifters using two very extremely different musical styles.  So click down below, read, enjoy, and ask yourself this: Are you real?  Or are you just a phony?

https://jimwendler.com/blogs/jimwendler-com/101066310-darkthrone-or-metallica-which-training-are-you

Quick Powerlifting Update

REvPS

I recently signed up for my second powerlifting competition, The RPS Jersey Rumble, happening on Saturday, May 20th at the Ramada Plaza Hotel in Newark, NJ.  Unlike last year, where I competed in the 198lb weight class I’ll be in the 181lb class this time, since I dropped down to 172lbs since last May.  I’m still undecided on all my lifts.  I’m pretty sure I’m going for a 400lbs Deadlift.  I’ll either go for a 300lbs squat or I’ll go a bit higher.  My Bench Press?  QDisgraceful.  I might keep that real low.

I hope to start recording my meet prep soon.  It’s been so hard because while my new gym is surprisingly really good there are nights were it’s just so fucking overcrowded with college kids.  Fuck, I had to foam roll by the outside locker area just two nights ago because the entire designated stretching area was crowded.  A stretching area!  Oh yeah, since I last wrote in here I had to leave Sports Club because they increased my monthly payments without warning me.  Unacceptable.  I’m now at Blink Fitness, which surprising has five Hammer Strength power racks and Olympic bars with knurling so deep and juicy, as one of my Instagram followers put it, that it WILL rip up your shins during deadlifts and WILL rip the skin off your hands if your grip isn’t there.  I just wish it wasn’t so crowded at night!

Follow me on facebook and Instagram if you don’t already:

https://www.facebook.com/Confessions-Of-An-Angry-Metalhead-1237695776242081/

https://www.instagram.com/confessionsofanangrymetalhead/

Random Thoughts

Gym Rants

If it wasn’t for the fact that I want to become a personal trainer and wasn’t contracted to New York Sports Club I’d most likely try to find another gym.  I don’t hate my gym but I’d really like to train somewhere that’s more geared toward my goals because let’s face it, a commercial gym doesn’t cater to Powerlifters or anyone strength training related.  Hell, there’s only one power rack for squatting and just one deadlift platform – I do admit it’s a miracle they even have on.  But sometimes it’s being used just as you’re about to use it and sometimes it’s for some real stupid shit.

On the night I was to Deadlift 315 for the first time ever back in February I found someone was occupying the platform doing a stupid Crossfit routine.  What was it?  Ten sets of twenty Clean-And-Jerks followed by “jump rope”.  Noticed the word jump rope was quoted?  That’s because there was no jump rope; instead this guy was jumping up and down looking like he was jerking off two dicks!

My most recent favorite, which I ranted about on my facebook page, was the guy doing Front Squats with a fucking BOSU ball.  First off, if he’s going to be wearing the wrong shoes – by which I mean sneakers – he better hope I’m not there when he tips over because I’m going to laugh so hard.  Also, if you’re front squatting with a BOSU ball you should return your man card and go make that appointment for your sex change now.  Hell, yesterday.

I finally ordered a 10mm Inzer Forever Belt in black on Saturday.  I hope to get it before my next deadlift day.

New Nails (??????)

So Nails cancels all their shows over the summer without any explanation and we hear nothing for two months…and then I was told a few days ago by one of my YouTube subscribers that it was announced the Nails and Full Of Hell are releasing a 7″ split???Don’t get me wrong, I’m fucking stoked about this – that’s going to be some nasty fucking shit!  But dude, what the fuck?  I wrote about how confused I am on facebook because we had no idea if the band were back or what and when I reposted it on my new Instagram account I received this funny little response from Closed Casket Activities, the label releasing the spilt:

funny

Funny guys.  Then I saw this today on Metal Injection:

NAILS To Play THE POWER OF THE RIFF Festival In December

If one thing’s for sure, they’re right about one thing: You Will Never Know What’s Going On.

You can subscribe to me on facebook if you haven’t yet:

Also, as I mentioned fleetingly a few paragraphs ago, I’m now on Instagram.  Be sure to follow me on there, I post shit daily on there.

https://www.instagram.com/confessionsofanangrymetalhead/

 

 

 

 

Hail Satan!

I recently restarted a facebook account after being off it for a good two years, strictly for the sake of promoting this blog.  Of course, though, I got curious and looked up some old friends I may have not spoken to in a while, which led me to look up and ex-guitarist of mine, Matt Holbowitch.  I immediately was blindsided when the page read “Remembering Matt Holbowitch”; underneath it was a status written by a friend of his about memorial service arrangements and he left his phone number.

I called him after being in a state of shock for a few minutes and, while I won’t get into the details, it was a pretty shitty situation, causing Matt to take his own life.  While I’m sure I’ll get into how we met in another post, I couldn’t help but remember what turned out to be our last phone conversation two years ago.  He was living in Missouri, where he was a diesel mechanic, and he called me after I threw the horns up in response to a video he posted on facebook of him playing “Flight Of Icarus”.  He asked me what it would take for me to go down there to hang for a week and I told him not much, but I never followed up.

I wish he reached out to me if he was having problems.  Fuck, I wish I kept in touch with him.  Suicide was not the way out, especially when you’re the father to a two year old and a one year old.  If you are reading this and you want to take your own life, do yourself a favor and go find someone to talk to because burying that shit will do you no good in the long run.

In memory of him I decided to cover “Sabbath Bloody Sabbath” for my first true electric guitar video.  Why that one?  Because this guy was so fucking metal that his first words were “Black Sabbath”.  Not momma, not dadda.  Black.  Sabbath.  I doubt you can just make that up.  Because of that alone I salute him and say hail Satan!

 

Matt Holbowitch 1977 – 2016

 

“What’s Our Fuckin’ Name?!?!” Anaka Live At Black Bear Bar 7/16/16

Since I’ve moved to New Jersey nearly a year ago I truly don’t have many reasons to go back to New York City…for anything.  Dead serious.  So when I got an invite from Anaka frontman Jimmy Pallis to see them this past Saturday in Brooklyn, I couldn’t say no.  It’d been close to two years since I last saw them at Gramercy Theater so I was a little overdue.  Brief history for those of you who don’t know them:  The band was started by Jimmy and his guitarist brother Peter in Bay Ridge, Brooklyn in 2000.  Since then Anaka has realeased five albums between then and last year, when they released The Unwavering, they’ve had their videos played on MTV (particularly “Rust And Jade” in 2004) and they even wrote a new theme song for The Ultimate Warrior when he made his brief return to wrestling in 2008.

But more important than any of that shit, they’re extremely loyal to their fans and you can tell that they love what they do.  If Jimmy and Peter were both willing to drive to my neck of the woods a year ago just to sell little ol’ me a ticket that should tell you something.  Jimmy also has  a great memory, when he texted me he told me he remembered I was out of state now and offered to mail me my ticket.  I forgot I even told him I was gone!  Now that I think about it…maybe I told him when he was at my house last time.

Anyway, I’ve also wanted to check out the Black Bear Bar for a while now, just too bad that it had to be in the heart of hipsterland, Williamsburg, Brooklyn.  It’s times like this that I wish Williamsburg went back to being a hellhole – it’d probably be a hell of a lot more affordable than it is now.  There’s literally real estate there that pricier than even Manhattan nowadays!  So here’s how I’m going to do this: there were five bands on the bill and I don’t want to bore the shit out of you with one to two paragraphs on each band so I’m categorizing everybody in the groups, The Great, The Good and The Shitty.  Let’s start from the bottom since that’s how the show seemed to progress anyway!

The Shitty

So the first band on was The Crimson Syndicate.  The were loud, which did get me interested at first.  The singer could growl like a motherfucker.  The problems?  First off, what is it with bands that have two singers both practically doing the same fucking thing??  It’s one thing to have two singers with completely different roles, like 3 Inches Of Blood did until 2008.  Fuck, what’s the point at all?  I used to like Scar Symmetry a lot and even played them on my radio show frequently.  But when they decided to replace their departing lead singer with two guys I couldn’t help but place my head in my hands.  Next, they turned out to be Deathcore.  Enough said.  Worse?  They’re from Staten Island, home to guidos, guinea trash and lots of herion.  There’s not a lot of great music in Staten Island – but there are lots of drugs!

The Last Alliance from Queens was next.  I won’t be so brutal with them, at least they were tight and on point.  But I have no patience for the power/progressive metal shit.  Their guitarist did play some badass stuff at times and the singer has a hell of a set of pipes;  I will not deny him his due credit.  But the lyrical themes were so power metal that at times you could just taste the cheesiness.  Another no no for me?  Keyboards.

The Good

End All was the first band whose singer had a command over the audience.  He had a lot of energy and his voice fit the music perfectly.  The band’s music are a little more radio friendly than I’d normally go for but it still was heavy and it didn’t sound phony either.  The rhythm section were great.  The one thing holding them back from greatness?  The guitarist.  No, he didn’t suck at all – but his sound sure did.  This guy has a Dean Razorback going through a Peavey and I’d love to understand how he can get such a weak sound out of that!  It’s a shame because he could’ve easily cut through the band during his solos when the time came and, not that he was inaudible, but he just couldn’t cut through the mix.  If you’re THE guitarist in a one guitar band there’s no reason why you shouldn’t be able to be heard.  He was great but he should either work on the sound he’s getting out of that Peavey head or get an overdrive pedal to use just for solos, like an Ibanez Tubescreamer or a Boss Super Overdrive (I actually own both of these and love them!).

The Great

Proxima Control impressed me very much.  It’s hard to describe their sound.  It’s really heavy yet really melodic.  At first I really didn’t understand the point of one guitar playing a standard six string and another playing a seven string until they played this one riff were the seven string player was cleverly using the low seven – tuned down to G – to make whatever his co-guitarist was playing sound even beefier.  Just like that it all made sense because they weren’t doing that in every single song.  That’s what you call a great ear for dynamics, knowing the right place and the right time for everything.  It always makes all the difference.

The bassist probably impressed me more than anyone else in the band.  Not only could he keep up with those fast tempos with his fingers, sometimes hitting multiple notes at once, he can even tap out the licks and cleanly go back to plucking without skipping a beat.

Anaka were the headliners here.  No sooner do they get on stage did Jimmy yell out to the crowd “Brooklyn, New York!  What’s our fuckin’ name?!?!” to the roar of the crowd.  I was expect a full on moshpit like the one that got me pinned against the bar at Killarney’s, where I first saw Anaka back in 2012.  My left quad hurt for two weeks after that night!  At the end of this you’ll get a link to a playlist featuring a clip of their set as well as Proxima Control’s and End All’s sets.

The band were firing on all cylinders here.  Jimmy looked real hyper up there.  I don’t know if I gave him some of my C4 pre-workout and I just don’t remember or he was just amped up but he was wild up there.  And the screaming was probably the most intense I’ve ever heard it.  It’s not easy to keep up with after sixteen years so he had my respect there.  What really caught my eye more than anything was Peter’s guitar.  I was standing on his side of the stage and saw he had this gorgeous ESP guitar that resembled a cream Gibson Flying V, similar to Scott Ian’s new Jackson Signature V, but with EMG pickups instead of Duncans.

I had to know what the deal was.  So I went up to him and he let me know that he’s officially signed to ESP’s roster and he bought that guitar directly from them.  He even let me cop a feel, that neck feels nice.  Too bad he’s lefty because I really wanted to try it.  He also revealed to me that he’s now also endorsed by KHDK Electronics, you know, the pedal company co-founded/co-owned by Kirk Hammett.  He had the Ghoul Screamer on his pedalboard as a booster for his Dual Rectifier.  I have to admit, it had to be the thickest Pete’s tone has ever been.

Check out Anaka’s website from their music, facebook and upcoming shows, including North Music Venue in Long Island on July 29th.

http://anaka.net

You can also find me on facebook by clicking here:

https://www.facebook.com/Confessions-Of-An-Angry-Metalhead-1237695776242081/?ref=settings&qsefr=1

My next blog should be a review of Helix Nebula so stay tuned.

 

Show’s I’ll Be Attending This Summer

anaka bbb

Anaka live at Black Bear Bar, Brooklyn, NY, July 16th, 2016

On the heels of celebrating more than 15 years together Brooklyn’s own Anaka will be playing Black Bear Bar in Brooklyn this coming Saturday.  Also on the bill are Proxima Control, The Last Alliance, and The Crimson Collective.  And I’ll be posting a few videos of the show on my YouTube page.

carcass

One Foot In The Grave Tour f/ Carcass, Ghoul, Crowbar, and Night Demon live at Gramercy Theater, New York, NY, August 4th, 2016

I’m a little disturbed by the title of this tour just because I’m not really sure if this means Carcass are breaking up again or not.  If so, it was awesome of them to release one more album, Surgical Steel, back in 2013.  That was probably the album of the year for me.  If not then that’s fine too!  I just entered Metal Injection’s contest to win free tickets to the Gramercy show, and I’ll find out in two days if I won.  I’m afraid I don’t know much about Ghoul or Night Demon…yet, but I’m definitely filming Carcass and Crowbar for sure.  Haven’t seen Crowbar since that night last June where I nearly died about three times because that so-called moshpit turned into a barwide fist fight!  So it’ll be interesting to see what happens this time, especially since hearing that ex-bassist Todd Strange came back to the band after sixteen years away.

2016 Announcement

This Is Hardcore Fest Day 2 f/Nails, Iron Reagan and Ringworm live at The Electric Factory, Philadelphia, PA, August 5, 2016

Let’s face it, I’m not really a hardcore fan and the only reason I want to go to this is to see the three bands mentioned above.  Of course there are a shitload of other bands on the bill but those are three I give a shit about the most.  I’ve heard Electric Sleep and they can blow me.  The others I haven’t heard.  When I imagine how Nails’ set is going to unfold I pretty much see a moshpit so brutal it outdoes the barwide fistfight I went through last June when I saw Crowbar in Brooklyn.  They are brutal as fuck, and their disgusting new album is getting a LOT of buzz, more so than even the band itself probably expected.

I’m also looking very much forward to Iron Reagan because their lead singer is Tony from Municipal Waste.  Waste actually knew me personally for the better part of a year between 2006 and 2007 but that’s a story for another time.  Here’s one of my favorite songs from Iron Reagan!

I last saw Ringworm opening up for Goatwhore in Broooklyn just a week after nearly dying at the Crowbar gig.  I actually filmed them twice because when I tried to film them some jackass in the pit threw another guy elbow first right into my ribs.  That hurt so bad.  After my better second attempt at filming them I was pushed against the wall twice tailbone first.  Here’s that second video now!

Image result for angel vivaldi gus g

Operation Domination Tour with Angel Vivaldi and Gus G live at Webster Hall, New York, NY, August 31st, 2016

I was just told about this by my girlfriend a few days ago and it was immediately decided that we are going.  The YouTube sensation is obviously showing no signs of slowing down at all and here’s the proof.  It’s not everyday an internet darling gets to play with Ozzy’s current guitarist!

This is going to fucking rule!

As I said before I’ll be filming all the shows I go to and you’ll be able to find them on my YouTube page.  If you’re reading this and plan on being at any of these shows l free to contact me, maybe we can hang.  I’m also on Facebook.  Click here to like my page and get quicker notifications on new blog posts.

Possibly the best Ozzfest lineup ever? Ozzfest live at the Tweeter Center August 26th 2004

So just over a year since my last concert I was invited by my then-bandmates, Chad and Idrees, to go with them to see Ozzfest at the Tweeter Center in Camden, NJ on August 26th, 2004.  And if you looked at the main stage line up for this tour alone it’s easy to see why.  Dimmu Borgir (fake, pretentious, symphonic black metal), Superjoint Ritual (Phil Anselmo acting even dumber than the last time I saw him), Black Label Society, Slayer, Judas Priest, Black Sabbath.  Yeah, Judas Priest was THE big deal at the time, with the band announcing the return of Rob Halford on vocals just ten months earlier and following the release of the band’s box set.  The three of us definitely had our musical differences – making me wonder how I didn’t quit them earlier – with me liking a little bit of everything yet leaning towards heavier stuff more and more, Idrees listening to Thrash and ONLY Thrash, and Chad being the Power Metal guy who was practically jerking off every night to all things Iron Maiden and Steve Vai; but who the fuck doesn’t even remotely like Judas Preist??  I’m waiting….

The morning of the show they were supposed to come to my house with Idrees’s dad driving to pick me up.  They were very late and whenever I called either of their cellphones no one picked up and it really irritated me.  When they finally did show up I do remember letting them both have it, although I don’t remember their lame excuse.  Idrees’s dad reminds me of a cross between Nile Rodgers and Isaac Hayes, Niles in the voice department and Isaac in looks, it was pretty funny just hearing him talk.  We arrived in Camden around 1pm due to shitty traffic once we got off the NJ Turnpike; ever been to Camden before?  No?  Ok, ever hear Chris Rock talk about why you should never anywhere that has a Martin Luther King Blvd?  Well, we were on it and we saw why.  Here’s an example of what we drove through to get to this place:

  Image result for camden poverty 

Isn’t this just sexy?  I’d totally live here!

After maybe twenty minutes of my suddenly wishing we took Chris Rock’s advice and ran we finally got to the Tweeter Center, the huge outdoor arena placed in the location of the Armageddon we all apparently missed and right across the water from Philadelphia.  Idress’s really cool dad was going to spend his day at the New Jersey State Aquarium not to far down the road from us and right by the ferry that was bringing in drunken Philly trash for Ozzfest.  But I’ll get back to that later!

The three of us walked in to the horrible sounds of Otep on the second stage, having just missed God Forbid, who I really wanted to see.  They sadly broke up in 2013 but if you’ve never heard of them check out their 2004 album Gone Forever.  So we walked around for a bit, bought beads to throw at girls to have them show us their titties, etc.  We went back to the second stage because I wanted to see Lamb Of God.  They were literally five days away from release of their major label debut on Epic Records, Ashes Of The Wake, following the success of their last album, As The Palaces Burn, and it looked like they totally did a major gear upgrade with there being to big walls of speaker cabinets like only Slayer would do.

Chad and Idrees left me there because they weren’t fans of the band.  I think it was literally just too modern for either of them.  Lesson #1: if you’re only 19 years old – like these two knuckleheads were (I was a year older) – nothing is too modern for you.  Life’s too short to be THAT pretentious over music.  I may have just turned 32 but I still have an open mind!  Lamb Of God were absolutely awesome, playing a good chunk of their material from the last record as well as the first single off the new album, called “Laid To Rest”.  What I didn’t understand was Randy Blythe’s need to curse literally every other word – that’s not an exaggeration – as well as constantly saying he was in “Killadelphia” when we were actually across the water.  Dumbass.

My two dopey friends came back just in time to rescue me from Shitknot (I was a fan of them for a few years but 2004 was the year they broke my heart Godfather Part 2 style) and Hatebreed.  In fact, after LOG there were no others bands I wanted to see on the second stage at all!  So we had lots of time to kill.  While there I bought a BLS shirt that I still have today and the classic Slayer eagle shirt, which mysteriously disappeared on me a few years back.  I’m still pissed about that one, by the way.  While walking we came across a lot of that drunken Philly trash I mentioned before.  I’m talking a bunch of ridiculously sunburnt dudes in Eagles jerseys (the football season had just started) yelling out in unison “E-A-G-L-E-S EAGLES!!!!”….over….and over….and over again.  We also found a good spot at the guard rail on the lawn, where we could throw beads at bitches AND have a pretty good few of all the bands.

After while it was finally time for the main stage acts to go on.  First? Black Label Society.  This was to be my first of seven times seeing them, in fact I can’t make fun of Chad’s fixation on Maiden without stressing that between 2002 and 2008 I wanted to play like Zakk Wylde so bad.  I had other influences, of course, but at that time Zakk was the ONLY one who was that popular while playing that kind of music.  Dimebag Darrell and Vinnie Paul had already risen from the ashes of Pantera, but their current band, Damageplan, was not getting over on the old fans easily.

Right out the gate he was ripping it up on a custom made Jackson Randy Rhoads guitar.  He’s shredded for maybe two minutes before breaking into “Funeral Bell”.  Idrees and I loved it.  Chad?  “Zakk Wylde’s not that great”, he said with this arrogant smirk on his face.  Chances are he was already jaded from listening to technical shred nerds who never left their mother’s basement.  Lesson #2:  It really doesn’t matter how much better one guitar player is than the next.  Zakk himself will even acknowledge that there are players that will bury him.  But what’s more important than having all the technique there is to have is being able to have your playing reach out to more than one niche crowd.  That’s why Zakk passed the audition to play with Ozzy in the first place.  Even Ozzy knew Zakk had already developed a sound that would one day make him recognizable!

Superjoint Ritual were next.  Where Phil Anselmo pretty much told us last year in Brooklyn where he stood in music (as in not with Pantera) he pretty much took that and acted like a dumbass this time around.  First off, their latest album, A Lethal Does Of American Hatred, sucked balls in plain English.  Also, it’s one thing to command your audience to mosh; but when you tell them that they’re pussies if they don’t you’re just a jackass.  The band were still great…so long as the played the music off the first album…but it was weird when Phil ended the band’s set by saying “keep sucking dick!” on the mic before doing his classic shitty rendition of the last words to “Stairway To Heaven” that he’d been doing since the Pantera days.  Drugs are bad, m’kay?

Dimmu Borgir were TRASH.  Bad enough I already don’t like Symphonic Black Metal but Dimmu were and are just awful.  Next? Slayer.  How funny that, as Idrees left us to mosh in the makeshift pit area right behind us, Chad and I both realized that the guardrail was pretty wobbly – yeah, we were fucked and we knew it.  Because as soon as Slayer got on stage all Hell broke loose and we were almost instantly pinned to the guardrail.  That shit hurts!  Of course, once they kicked into “Raining Blood”, the pit had become it’s most violent.  But who really fucking cares?  This is Slayer – and with the classic lineup back together!  Whenever I was able to get a glimpse of the band without getting pummeled I look straight at Jeff Hanneman.  He tore that guitar up better than Kerry King that night….and all the time.

After surviving the moshpit from hell we made sure Idrees came to us so we wouldn’t lose our spots before Priest came on.  At this point on it was more like an arena style concert, because who moshes to Priest or Sabbath anyway?  This was the one band to have a really elaborate stage setup.  Here, look for yourself:

 

I was able to notice on my own that Halford was relying HEAVILY on a teleprompter because he’d go to one place on stage and just stay there for two of three songs before going somewhere else.  Didn’t matter though because he was on fire, proving why he’s the Metal God.  When they played “Breaking The Law” I called up my college radio station’s programming director to bust his balls and left him a voicemail of the band playing the chorus line.  Why was I busting chops?  Well…let’s just say he did just that over a month earlier.

Up last?  Sabbath.  But of course there was a catch.  Before the band were to go on stage Bill Ward came out to announce to everyone that Ozzy was sick and could not play.  BUT, apparently Rob Fucking Halford volunteered to sing so the band wouldn’t have to cancel their performance.  There’s a bootleg floating around of Halford doing the favor for them back in 1992 but I was actually going to hear it??  Needless to say I wasn’t bummed out much longer after hearing that!

Being that someone else was singing, regardless of the fact that it’s a guy that’s STILL amazing at his age, they kept the setlist floating around the just the first three albums.  I’d bet that was just to make it easier on Rob, who surely didn’t have enough time to practice.  But it still was pretty awesome to hear.

 

Idrees’s dad was waiting for us right outside the arena, having stolen banana daiquiri mix from some vendor stand during what I think he said was some kind of police situation…or something.  The show was awesome as a whole.  If I only knew then that I’d NEVER see the classic Sabbath lineup.  But was this THE best Ozzfest lineup ever?  I think the following year’s beat it; but I’ll get to that in the future.

Quick Reminder

Confessions Of An Angry Metalhead is now on Facebook!  So click on this link here

and be sure to like my page because it’s the only way I’ll be able to get my own URL for it.  You’ll also get more status updates and news briefings based on things I normally discuss on here, as well as quicker notifications on new blog postings.

 

Feel No Pain – First God Of The Earth

So, when I was recently contacted by Feel No Pain from Madrid, Spain about reviewing their new four track demo, First God Of The Earth, they described it as Metallica-meets-Sepultura.  But, after repeated listens, I’m afraid that’s not really the case because some of Sepultura’s classic shit borderlines on Death Metal and most of the material here is far too melodic.  Metallica-meets-Iron Maiden?  Much more like it – and there’s nothing wrong with that, by the way.

The instrumental “Mass For The Ancient One” opens up the demo.  I have to admit now that I was never really a fan of instrumentals being used to open up anything, especially a demo where you’re trying to introduce yourselves to the world.  As far as I’m concerned it’s a minute or so wasted that you cold use to let people hear the songs.  Having said that, the track itself does sound very ominous in a classical way.  I can almost envision that beast on the cover slowly arising from the waters, ready to raise hell.

The demo’s title track comes right in with nothing but double bass.  Guitarists David and Hector come right behind with very Maiden sounding harmonies.  I really like the sound of Cesar’s snare drum here!  I hope he can maintain this sound if the band every does a professional recording.  I’m almost positive the lyrics have something to do with that beast on the cover.  Maybe I was right about the intro resembling it coming out to raise hell?  It makes me think that if I were in this band, what I would have done was connect “Mass For The Ancient One” to this song as one track.  No time would be wasted then!

“Cry Of The Undead” begins as nice old-school thrasher with tightly muted fast picking that would make even Hetfield proud.  It breaks down in time for David to start singing about a zombie, stuck between wanting to die and wanting to find someone just like him, until he finds that he’s not alone at all.  You’ll definitely hear the Maiden influence as the song ends in a very “To Tame A Land” fashion, just not as epic.

“Sky Burial”, probably the best track here, comes charging right in at the gate!  This is actually a great way to close the demo up.  It’s a good mix of Maiden’s melodicism and Iced Earth’s tight arrangements.  If I were any of the members of this band I’d want to stick to this for a bit – and I haven’t been a fan of Iced Earth in years.

Feel No Pain sounds like a hungry band.  No doubt about it.  If there’s anything I’d change it’s the vocals for sure.  There’s nothing wrong with singing but I feel like these lyrics need to be sung with more attitude.  Much more.  In this modern metal world I think it’s important that if you’re going to play traditional style you should at least give it a modern edge in order to reach out to more people.  That’s why I liked Testament’s 2008 comeback, The Formation Of Damnation.  It had all the elements of those early Alex Skolnick/Lou Clemente-era albums, but the difference was that Paul Bostaph’s doublebass licks locked in with Eric Peterson’s rhythm guitars gave the songs an edge Lou could never give them.

Here’s the video to “First God Of The Earth” their bandcamp, and facebook pages:

http://feelnopainmetal.bandcamp.com/releases