It was a publicity stunt after all. The unveiling of pop megastar Rihanna’s notorious death-metal-styled logos at the 2016 MTV Video Music Awards (VMA 2016) was part of a marketing campaign by her new record label Unique Leader Records, according to a press release yesterday. Reportedly, the aforementioned publicity stunt was just the first of […]
via Rihanna Signs with Unique Leader Records — The Tyranny of Tradition
Funny isn’t it? Just one night after I published a scathing piece on why I basically would like to see New York City burn to the ground…I’m back in New York City. But at least it was for something awesome; I was there to see Angel Vivaldi and Firewind/Ozzy Osbourne guitarist Gus G on their Operation Domination Tour at The Studio At Webster Hall. Angel is on the heels of re-releasing his 2010, EP The Speed Of Dark, with it’s tracks being completely re-recorded with his current band, and Gus recently released his latest solo album, I Am The Fire, a more straight forward album compared to what he does with Firewind. Also, I guess he needs to keep himself busy until Ozzy comes calling to do his next excuse of an album. Hey, just maybe Ozzy will actually let Gus write material for it this time. That’s a maybe. If you follow me on facebook then you already know how I feel about Ozzy’s plans to record after Black Sabbath’s last show. But if you don’t…I’d rather Ozzy just call it a day, he hasn’t made anything meaningful in decades and the ONLY reason I even bought Black Rain in 2007 was because Zakk Wylde wrote eight of the album’s ten tracks. So Ozzy…if you ever see this…you were great when I saw you with Sabbath at the Garden. Do yourself a big favor and just go on a high note like Tony Iommi is doing.
Webster Hall is right around the corner from the 111 year old art store that’s being forced to close so the Marriot can make it into a hotel aimed at millennials. So yeah I did go check it out before I went inside. Someone was talking to the owner, who clearly looked distressed. Then again his family ran the place for three generations.
There are two rooms in Webster Hall: The Marlin Room, which is the main room for popular acts, stupid raves and 80’s prom bullshit and, once upon a time, WWF Shotgun Saturday Night. Let’s see who remembers that one! And then there’s The Studio, which is essentially a small bar with a good size stage. Gus and Angel were to play The Studio…I guess the guys running Webster Hall decided that some shitty rave was more important that a fucking YouTube sensation and Ozzy’s guitarist, right?
Angel went on stage and just blew everybody the fuck away.
Showoff!
Alex fuckin’ Bent!
I actually met Alex when he was opening up for Crowbar with Battlecross last year at Saint Vitus In Brooklyn. Really cool kid…incredible drummer. On this tour he’s actually doing double duty, playing with both Angel and Gus. Here’s a picture I took of us outside Saint Vitus last year.
I wanted to talk to him and praise the hell out of him but before the show ended I found myself bailing out early because my knees were in excruciating pain – having flat feet is a real bitch.
Angel’s Setlist
An Angel’s Poem On A Grave
An Erisian Autumn
._ _ _ _
A Mercurian Summer
. . . . _
Acid Reign
Guitar Solo
Sea Of Heartbreak
Crystal Planet (Joe Satriani Cover)
A Martian Winter
Gus G? Loud as fuck! So loud that a few songs into his set I had no choice but to go to the back, where my girlfriend was…because she already knew better. Oh yeah, the guy’s an incredible player, real easy to see why he got the gig with Ozzy. His whole band – which included Alex and Jake, Angel’s bassist, sounded fan-fucking-tastic. But I had one complaint:
Dude…you don’t have to play “Crazy Train” just because you’re in Ozzy’s band bro. Hell, most people there for you were actually Firewind fans.
In fact the band did play two Firewind songs d I have to say I was kind of impressed. I hate Power Metal with a passion but Gus’s playing was so muscular – very similar to Zakk – that it gave the songs some BALLS.
As I said before…I left after the “Crazy Train” cover because my knee were in pain. But I know for a fact that I missed Angel join Gus on stage for what was probably a really sick jam out.
Gus’s Setlist
Burn
Brand New Revolution
Vengeance (instrumental)
Eyes Wide Open
Come Hell Or High Water
World On Fire (Firewind)
The Quest
Terrified
Redemption
I Am The Fire
Crazy Train (Ozzy)
Fire And The Fury (Firewind)
G.O.T
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In my very first post here I briefly mentioned that I used to DJ for my college radio station. Hell, that show, without question is the precursor to this blog because it gradually became my first platform to just talk shit AND not get in trouble for it. But that’s a story for another time because how I got this fucking show so easily requires a bit of a back story anyway. Oh, by the way, I won’t be mentioning which station it is because I don’t feel like giving anyone any undeserved attention.
So, I decided to give my station a shot in April, 2004, thinking I wanted to be a DJ. I liked the idea of being able to play music and not be seen. To this day it’s amazing how UGLY some of the top DJ’s in the country really are. But since they sound great who the fuck cares? I went through two meetings, one with the personnel director and the second with the station’s chief engineer…part super genius…part angry, bitter, and an all around asshole. If Gregory House was a real person he’d be this guy! What made me laugh inside was in despite only being in his mid-30’s, the combination of his skullet and his awful 70’s looking moustache made this fucker look like an ex-member of the Doobie Brothers.
If I’m not mistaken I took the test a good week later and passed with just two wrong answers. I originally chose to join the Music Department because that meant I could review records for play as well as maybe even dictate what got played at all, the first CD I ever reviewed being Black Label Society’s low key masterpiece, Hangover Music, Vol.6, which I was also able to burn and leave at the station while I took the original copy home. But long story short the director at the time let no one do anything with her, frustrating me, so I joined the Engineering Department. I had wanted to join Production but, at the time, it was mandated that you couldn’t do shit in production unless you knew how to run the board properly.
Some time goes by, the middle of summer arrives, and I was approached by the newly appointed engineering director about being his assistant. Why? Neither he or anyone else wanted the only other person around to be involved because that’s how lowly they all thought of him. We’re talking a really nice guy too. And there you have it, proof that even college radio isn’t clean of slimy politics! So, from then on until I left for good in early 2007 I was the Assistant Engineering Director of my station. But of course there was something else I wanted, and part of the process I didn’t even have to go through.
While I had applied for a show to start in the fall semester, I didn’t have to make an audition tape, and all because I was an engineer. In other words, I already knew how to operate the board. Before I was told that was even getting my first show I was approached by another DJ from the Production Department about covering him because he wasn’t able to get out of work. It was easy enough, his show had a specific format which he wrote down for me – all I had to do was follow the bullet points. So there I was, fresh from sitting in with the two BEST DJs in the whole station at that time – both actually being alumni volunteers at that point – and DJing my first show.
It was a little nerve wracking, I was already engineering and cohosting someone else’s public service show on Mondays for a month at this point, but this was the first time I was on my own. After reading off the most important bullet point of this guy’s show he surprised me by calling me up. I didn’t think he was listening but here this guy was telling me that I “rock”, and even complimenting my voice. And after I finished up, that angry chief engineer – who can still go suck a dick and die – even told me he liked my voice.
Thursday, September 9th, 2004. This day would see the launch of the Metal Mike Show at 4pm. My then guitarist, Chad, jokingly suggested I call myself Metal Mike. A manager of mine at work suggested Iron Mike, but some at the station just didn’t like it. For a few weeks prior to this I had hand drawn ads and plastered them all over the walls of every single building on campus, as well as on the walls of music stores where I lived and even in places in Manhattan, especially the now defunct Manny’s Music on w 47th St. The guy whose show I covered for read the script for my station promo and immediately asked if he could read it on mic. It was hysterical hearing him read “It’s time to give the devil his good name back…Hell never sounded so good!”, with as much bass as he could get out of his voice.
With two hours to go I began writing down my playlist for the next three hours, trying to find a balance between the music I wanted to play and the music I’d be required to play. There were two other metal DJ’s who happily pigeonholed themselves to two extremes, one to Black Metal so underground the bands themselves don’t even know if their demo tape is even circulating, and another guy that loved to cater to his drunk following in England, playing nothing but Swedish Melodic Metal and Power Metal. Power Metal…GAY. I wanted to be the balance between those two guys, being a fan of almost all types of Metal…expect Power Metal or anything related to it. I’d like to think I did a good job with that over the next two plus years.
Ten minutes to go. I walked in to the On-Air room where another DJ was getting ready to wrap things up, this was on of the two people I sat in with. Now this woman had an incredible radio voice. She’ll be oh so shy talking to you but when she’s on air she gets so sensual to the point that you’d think it was a different person. Looking on the instant messenger on the computer screen I already had to messages. One was from my dad, who had tuned in on his office computer to hear me, the other being some jackass in the station busting my balls “I CAN’T BELIEVE THEY ACTUALLY GAVE YOU A SHOW!” I think I know who it was. She left, I played a few PSA’s to get settled in, my show’s promo, followed by my favorite station ID track…and off we go!
I had Ozzy open up my show with “Miracle Man” off his classic 1988 album, No Rest For The Wicked. This was Zakk Wylde’s recording debut with him and I was such a Zakk fanboy at the time. Also, that opening riff is just huge! Nerves hitting me so hard, I couldn’t help but practically scream right into the mic once the song ended. I knew I needed to calm down but I was so nervous I just couldn’t stop myself! After screaming out the station’s phone number for requests I immediately but on Death’s “Bite The Pain”, a request for one of those two metal DJ’s I mentioned before. I tried to do everything I could to calm myself down. It took awhile but as time went on I got a bit more comfortable…until someone came to check on me.
It was 6pm, two hours down, one to go. Someone asked me how I was doing and as soon as I said ok it went downhill. I put on Black Sabbath’s “Fairies Wear Boots”, only for it to start skipping. So I quickly put “Sabbath Bloody Sabbath” on the second CD player…and THAT started skipping. So I pulled out Metallica’s …And Justice For All CD, put on “To Live Is To Die”…and THAT began skipping. FUCK! I had no choice but I go back on air and try to save myself. Luckily for me, the rest of the show went off without a hitch before the next DJ came to relieve me. All in all I had fun; I clearly had a lot of work to do as far as calming my nerves so I don’t scream into the mic, but this was the beginning of a time that would consume the next two years of my life.
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Gym playlists. Man, some people out there really seem to not have the balls to delve into nastier shit than they’re accustomed to in order to really raise those adrenaline levels. I guess they don’t really want to train with fury after all. Pussies. This goes back to my first true post on here, titled: “…if I had my own gym”. I bitched that the so-called metalheads in my gym cried like little girls upon hearing my heavy-as-fuck Spotify playlist, which contained several tracks by Pantera (the super heavy shit from the mid-90’s), Strapping Young Lad, Nevermore and Meshuggah. The remarks came flying: “What is this crap?” “Yeah I know I’m a Stripping Young Lad but this sucks!”, “Do you have any Metallica??”
Sure, there are gyms out there that understand that Disturbed is NOT the definition of music that makes you want to fight someone of even deadlift the house. But they’re few and far between. Also, I’ve come across plenty of playlists on Bodybuilding.com and, while some have come close, I came across a lot of shit. When I think of real weightlifting music Bring Me The Horizon and Miss May I are clearly, badass bands to train to. Right? Right? Excuse me while I puke out my flank steak dinner and my creatine powder.
So here are my ten picks, in no particular order, for heavy-as-fuck, balls to the wall, rage fueling, gym music.
I’m starting with this one because I need to get something off my chest real quick: I’m so fucking mad at these guys! Just as this album is getting more critical acclaim and attention than any other album sounding remotely like this the band, without warning, goes on hiatus?!?! What the fuck is this shit?? And why now??? Did Todd Jones decide he couldn’t handle the sudden popularity?? Did it go against his hardcore ethos?? Good thing I never went to This Is Hardcore in the beginning of the month because I would’ve been really pissed off!
Now that that’s out of the way…this is most likely my album of the year. In just over twenty-one minutes, this album is literally all killer no filler…at all. This is just straight up RAGE from start to finish. The production is rough, the vocals are ridden with the type of slobbering anger that says Todd Jones wants to hurt you so bad. This is true Meathead music. It’s totally amped up my workouts since it came out two months ago and will most likely continue to do so.
Key Tracks: You Will Never Be One Of Us, Savage Intolerance, Parasite, They Come Crawling Back
2. Pantera – The Great Southern Trendkill, 1996 
Yeah…this one…not Cowboys, not Vulgar…this one. Why? Listen to the opening seconds of the title track alone. That’s why. The Great Southern Trendkill is literally the most violent and intense Pantera release in their entire recording career. It just wreaks of every negative emotion you DIDN’T expect from Pantera. I guess it kind of, sort of, also helps that Phil Anselmo was secretly doing heroin during this time. That shit always brings down the mood! Featuring the late Seth Putnam of Anal Cunt on backing screams on certain tracks.
Key Tracks: The Great Southern Trendkill, War Nerve, Suicide Note Pt.2, Sandblasted Skin
3. Strapping Young Lad – Alien, 2005
Ever wanted to hear what a bipolar person sounds like when they stop taking their meds just to make their most intense album ever? Here’s your chance! But it ain’t pretty. Which is why I love it! Devin Townsend knew that Strapping’s 2003 comeback record was clearly stale, minus two tracks. So what did he do? He risked his mental health and let the crazies out to play on more time. I cannot listen to this record when I am driving because there were many times when this record came out that I went into massive road rage, probably came close to INTENTIONALLY running over people and driving into a wall.
Key tracks: Skeksis, Shitstorm, Love?, We Ride
4. Nevermore – This Godless Endeavor, 2005
Without question the heaviest album Nevermore ever did. I don’t know if it was because of the permanent addition of Steve Smyth as a second guitarist, but whatever it was, it worked. Usually known for a more diverse musical formula on previous albums, much of that is non-existent here. Like…compared to the albums before it or after…This Godless Endeavor is musically pitch black. I can totally see myself bench pressing to Jeff Loomis and Steve Smyth’s dueling leads on “Psalm Of Lydia”.
Key Tracks: Born, My Acid Words, Bittersweet Feast, Psalm Of Lydia
5 and 6. Crowbar – Crowbar, 1993/Sonic Excess In It’s Purest Form, 2001
I decided I had to put in two albums here. Crowbar are the ultimate go-to band for intense weight training. It’s unforgivingly brutal, fast enough, slow enough, sludgy enough and add Kirk Windstein’s increasing raspy vocals on being down and out and all I want to do is eat lots of food and deadlift.
Speaking of food, on their Phil Anselmo-produced, self titled album is a song called “Existence Is Punishment”. If you ever watched Beavis and Butthead in the 90’s you probably saw them making fun of that song’s video, leaving Beavis to basically say that the band makes you want to eat and get fat. Oh..and that they’re always taking a dump. Also featured here the most badass cover of Led Zeppelin’s “No Quarter” that you’ll ever here.
Key Tracks: “High Rate Extinction”, “Existence is Punishment”, “All I Had (I Gave)”, “No Quarter” (Led Zeppelin)
Probably the fattest, sludgiest and – believe it or not – most groundbreaking album or their career. Featuring future Goatwhore guitarist Sammy Duet, Sonic Excess In It’s Purest Form truly lived up to it’s name. But not just because it’s heavy, or you might as well consider every heavy album to be groundbreaking. But because the songwriting here is so thought out. Everything was perfectly arranged. “The Lasting Dose”, the album’s most popular track – and the one where the moshpits always reach new heights – probably wouldn’t sound as amazing it does if it wasn’t well written. This one always has me banging my head while training – I could give two shits if anyone’s looking at me.
Key Tracks: The Lasting Does, To Build A Mountain, Failure To Delay Gratification, Empty Room
7. Behemoth – The Satanist, 2014
First off: Nergal is GOD. I knew I loved Behemoth they day I heard their 2004 album, Demigod, in my college radio station, where I found myself playing it to death for a while. It was the perfect mix of death metal with black metal themed lyrics, a new style the band were experimenting with.
But here, literally a decade later, the band is beginning to change. Oh yeah, the brutality of their previous albums is still here, but the music itself feels fresh, much looser, much more off the cuff. I remember hearing Nergal screaming with passion on the track “Messe Noire:: “I believe in SATAN!!!!”, me yelling to my car stereo with excitement “Oh yes you do!!!”.
Key Tracks: Blow Your Trumpets Gabriel, Messe Noire, Amen, O Father, O Satan, O Sun
8. Meshuggah – obZen, 2008
This was band’s second album using eight string guitars, but after 2005’s weird, and heavily drum sampled Catch 33, the heaviest band to ever come out of Sweden were back with fury. Back when everyone and their mother was still on Myspace, I heard “Bleed” on the band’s music player…and nearly fell off my chair. The slow tempo, mixed with Tomas Haake’s double bass rolls, those bowel inducing, low tuned eight strings locked in just perfectly, Jens Kidman’s newly developed screaming…it was as if the band was reborn! Meshuggah were already one of my top five gym bands but obZen is a modern day Extreme Metal masterpiece.
Key Tracks: Combustion, Electric Red, Bleed, Dancers To A Discordant System
9. Morbid Angel – Domination, 1995
The one album that causes the most drama between fans. You either love Domination or the thought of it makes your stomach turn, and that even goes for the members of the band. Between the production style and the change in David Vincent’s lyrical themes and vocal approach, this is either the band’s most brutal album or the biggest pile of shit they ever recorded. Me? I fucking love it! It’s virtually unrelenting, minus “Hatework”, which I could do without. I personally think the clarity in production makes Trey and Erik’s guitars that much more brutal.
Key Tracks: Dominate, Where The Slime Lives, Eyes To See Ears To Hear, Dawn Of The Angry
10. Black Label Society – Live Alcohol Fueled Brutality + 5, 2001
Right off the bat, fuck the “plus 5” on the second disc, it doesn’t matter. I almost didn’t use this album but first off, Zakk Wylde is GOD. Second, this live album is endlessly loud, violent, and brutal. This was recorded on that infamous 2ooo tour were Zakk’s famous “grail” Les Paul was stolen, not to be seen again for a good three years. This is another album I’ll bang my head to and sing out loud in the gym regardless of who’s watching me. Fuck them, they’re all listening to the shitty dance music playing through the speakers or some watered down “rock” through their earbuds.
Key Tracks: Low Down, Lost My Better Half, Bored To Tears, No More Tears (Ozzy Cover)
I recently restarted a facebook account after being off it for a good two years, strictly for the sake of promoting this blog. Of course, though, I got curious and looked up some old friends I may have not spoken to in a while, which led me to look up and ex-guitarist of mine, Matt Holbowitch. I immediately was blindsided when the page read “Remembering Matt Holbowitch”; underneath it was a status written by a friend of his about memorial service arrangements and he left his phone number.
I called him after being in a state of shock for a few minutes and, while I won’t get into the details, it was a pretty shitty situation, causing Matt to take his own life. While I’m sure I’ll get into how we met in another post, I couldn’t help but remember what turned out to be our last phone conversation two years ago. He was living in Missouri, where he was a diesel mechanic, and he called me after I threw the horns up in response to a video he posted on facebook of him playing “Flight Of Icarus”. He asked me what it would take for me to go down there to hang for a week and I told him not much, but I never followed up.
I wish he reached out to me if he was having problems. Fuck, I wish I kept in touch with him. Suicide was not the way out, especially when you’re the father to a two year old and a one year old. If you are reading this and you want to take your own life, do yourself a favor and go find someone to talk to because burying that shit will do you no good in the long run.
In memory of him I decided to cover “Sabbath Bloody Sabbath” for my first true electric guitar video. Why that one? Because this guy was so fucking metal that his first words were “Black Sabbath”. Not momma, not dadda. Black. Sabbath. I doubt you can just make that up. Because of that alone I salute him and say hail Satan!
Matt Holbowitch 1977 – 2016
For my second Underground Review I was approached by Prog Death band Helix Nebula of Riva Vaciamadrid, Spain about checking out there first full-length album, The Last Lights Of A Dying Universe. They released a digital five track EP, The Beginning Of Time, back in 2013 and they recently played a show with Feel No Pain, whose four track demo I reviewed not too long ago.
I seriously think I’m going to edit my original post on looking for underground bands to mention that I really don’t want to be bothered if a band has an intro track. Bands, it’s old, it’s been done a million times and all you’re doing is wasting valuable time that I can never get back. Oh, and if your engineer or producer did it fire his dumb ass right away. Time is money. Just stop it!!!
Now to the music! Upon hearing “God Is God?” I instantly think modern day Dream Theater, with the delay drenched alternate picking line. And by the way no I’m not a fan of Dream Theater. The band kicks in…Death Metal growling? Ok, no problem, I am a Death Meal fan anyway. Now it’s starting to sound like a cross between the band I mentioned and Opeth. This song seems to go back a forth between the luscious clean parts that would make the knuckleheads in DT real proud, and Opeth during the heaviest moments on their landmark album, Blackwater Park. Mike Vera is really good at doing a low rumble into a demonic scream. I really don’t like how the song ends though, a little to anticlimactic, too soft, even with the quieter ending.
As the album progresses that sound remains very consistent, something lots of Progressive-bands have a major problem doing. I think the only issue I’m starting to have now is that there are times where I feel that the growling isn’t necessary. Sure, I did say I like it, but it just doesn’t fit everywhere, especially with the catchiness of some of the chorus’s I’m hearing. I’m really liking some of the guitar solos, especially on “Night Angel”, where I think different vocal approaches could’ve definitely been used. I definitely can envision screaming in the choruses to offset the growls during the versus, otherwise it just sounds stale. One of the things I used to love about a band like Into Eternity is not only could Stu Block growl, he could scream even higher than fucking Halford AND sing beautifully.
Paula Shultz’s guest vocals on “Dawn Of War” are absolutely breathtaking. After that this becomes the fastest song on the album so far. I’d honestly like for the band to do more of this in the future. Nice guitar harmonies, reminds me of “Flash Of The Blade”, one of my favorite Iron Maiden tracks. Although, like “God Is God?” it could’ve had a more badass ending. I feel like it needed to have it.
An interlude? Really guys? Is this necessary?? No it’s not! Another time killer that’s old and annoying. I really think the last time I found interludes at least amusing was back in the mid-90’s, when I heard the intermission track on Tool’s classic AEnima (they’re totally dead to me after this album) and the intermission on The Offspring’s album Ixnay On The Hombre (yeah it’s punk but it’s album before they sold out COMPLETELY…and I was only thirteen at the time). Point is, you bands need to knock it off with these fucking interludes – stop it!!!!
After a another minute was wasted “Son Of Antares” comes in with a great solid headbang tempo. Around the three minute mark it cools off temporarily before the guitar solo. I really think this was not necessary. And this is usually my biggest problem with prog metal. You all want to mix in all of these elements together in a single song and the problem is it doesn’t always make sense.
“Black Flames Of Chaos” had me throw up the horns right away. Good job guys! This is the most metal track on the entire album from start to finish. But more important than that, it’s the most consistent from start to finish.
Uh oh, I think that clean guitar is a tad out of tune on the closing title track; not the best way to start out the beginning of the end. On top of that, the segue into the heavier section feels very sloppy. As someone who started out as drummer it was really hard to keep track of the beat there. Thankfully, it shapes up more after that. You’ll definitely be able to hear some really consistent thematic changes throughout this ten minute epic, all of which intertwine perfectly. I would’ve loved the solos near the end to have a bit more attitude to them, not necessarily more notes, just more feel to them. And once again the ending leaves way too much to be desired.
All in all this is a decent debut album from Helix Nebula. I mentioned this in my review of Feel No Pain’s demo, but whether you’re making a debut album or demo, you really want to find a way to make it stand out and grab the listener by the fucking throat right at the start of track one – not track two after a pointless intro – track ONE. They are all fantastic musicians but I totally recommend they focus much more on at least streamlining their songs.
Favorite Tracks: Night Angel, Dawn Of War, Black Flames Of Chaos
You can check out Helix Nebula on their bandcamp site by clicking here:
https://helixnebula.bandcamp.com/
Since I’ve moved to New Jersey nearly a year ago I truly don’t have many reasons to go back to New York City…for anything. Dead serious. So when I got an invite from Anaka frontman Jimmy Pallis to see them this past Saturday in Brooklyn, I couldn’t say no. It’d been close to two years since I last saw them at Gramercy Theater so I was a little overdue. Brief history for those of you who don’t know them: The band was started by Jimmy and his guitarist brother Peter in Bay Ridge, Brooklyn in 2000. Since then Anaka has realeased five albums between then and last year, when they released The Unwavering, they’ve had their videos played on MTV (particularly “Rust And Jade” in 2004) and they even wrote a new theme song for The Ultimate Warrior when he made his brief return to wrestling in 2008.
But more important than any of that shit, they’re extremely loyal to their fans and you can tell that they love what they do. If Jimmy and Peter were both willing to drive to my neck of the woods a year ago just to sell little ol’ me a ticket that should tell you something. Jimmy also has a great memory, when he texted me he told me he remembered I was out of state now and offered to mail me my ticket. I forgot I even told him I was gone! Now that I think about it…maybe I told him when he was at my house last time.
Anyway, I’ve also wanted to check out the Black Bear Bar for a while now, just too bad that it had to be in the heart of hipsterland, Williamsburg, Brooklyn. It’s times like this that I wish Williamsburg went back to being a hellhole – it’d probably be a hell of a lot more affordable than it is now. There’s literally real estate there that pricier than even Manhattan nowadays! So here’s how I’m going to do this: there were five bands on the bill and I don’t want to bore the shit out of you with one to two paragraphs on each band so I’m categorizing everybody in the groups, The Great, The Good and The Shitty. Let’s start from the bottom since that’s how the show seemed to progress anyway!
The Shitty
So the first band on was The Crimson Syndicate. The were loud, which did get me interested at first. The singer could growl like a motherfucker. The problems? First off, what is it with bands that have two singers both practically doing the same fucking thing?? It’s one thing to have two singers with completely different roles, like 3 Inches Of Blood did until 2008. Fuck, what’s the point at all? I used to like Scar Symmetry a lot and even played them on my radio show frequently. But when they decided to replace their departing lead singer with two guys I couldn’t help but place my head in my hands. Next, they turned out to be Deathcore. Enough said. Worse? They’re from Staten Island, home to guidos, guinea trash and lots of herion. There’s not a lot of great music in Staten Island – but there are lots of drugs!
The Last Alliance from Queens was next. I won’t be so brutal with them, at least they were tight and on point. But I have no patience for the power/progressive metal shit. Their guitarist did play some badass stuff at times and the singer has a hell of a set of pipes; I will not deny him his due credit. But the lyrical themes were so power metal that at times you could just taste the cheesiness. Another no no for me? Keyboards.
The Good
End All was the first band whose singer had a command over the audience. He had a lot of energy and his voice fit the music perfectly. The band’s music are a little more radio friendly than I’d normally go for but it still was heavy and it didn’t sound phony either. The rhythm section were great. The one thing holding them back from greatness? The guitarist. No, he didn’t suck at all – but his sound sure did. This guy has a Dean Razorback going through a Peavey and I’d love to understand how he can get such a weak sound out of that! It’s a shame because he could’ve easily cut through the band during his solos when the time came and, not that he was inaudible, but he just couldn’t cut through the mix. If you’re THE guitarist in a one guitar band there’s no reason why you shouldn’t be able to be heard. He was great but he should either work on the sound he’s getting out of that Peavey head or get an overdrive pedal to use just for solos, like an Ibanez Tubescreamer or a Boss Super Overdrive (I actually own both of these and love them!).
The Great
Proxima Control impressed me very much. It’s hard to describe their sound. It’s really heavy yet really melodic. At first I really didn’t understand the point of one guitar playing a standard six string and another playing a seven string until they played this one riff were the seven string player was cleverly using the low seven – tuned down to G – to make whatever his co-guitarist was playing sound even beefier. Just like that it all made sense because they weren’t doing that in every single song. That’s what you call a great ear for dynamics, knowing the right place and the right time for everything. It always makes all the difference.
The bassist probably impressed me more than anyone else in the band. Not only could he keep up with those fast tempos with his fingers, sometimes hitting multiple notes at once, he can even tap out the licks and cleanly go back to plucking without skipping a beat.
Anaka were the headliners here. No sooner do they get on stage did Jimmy yell out to the crowd “Brooklyn, New York! What’s our fuckin’ name?!?!” to the roar of the crowd. I was expect a full on moshpit like the one that got me pinned against the bar at Killarney’s, where I first saw Anaka back in 2012. My left quad hurt for two weeks after that night! At the end of this you’ll get a link to a playlist featuring a clip of their set as well as Proxima Control’s and End All’s sets.
The band were firing on all cylinders here. Jimmy looked real hyper up there. I don’t know if I gave him some of my C4 pre-workout and I just don’t remember or he was just amped up but he was wild up there. And the screaming was probably the most intense I’ve ever heard it. It’s not easy to keep up with after sixteen years so he had my respect there. What really caught my eye more than anything was Peter’s guitar. I was standing on his side of the stage and saw he had this gorgeous ESP guitar that resembled a cream Gibson Flying V, similar to Scott Ian’s new Jackson Signature V, but with EMG pickups instead of Duncans.
I had to know what the deal was. So I went up to him and he let me know that he’s officially signed to ESP’s roster and he bought that guitar directly from them. He even let me cop a feel, that neck feels nice. Too bad he’s lefty because I really wanted to try it. He also revealed to me that he’s now also endorsed by KHDK Electronics, you know, the pedal company co-founded/co-owned by Kirk Hammett. He had the Ghoul Screamer on his pedalboard as a booster for his Dual Rectifier. I have to admit, it had to be the thickest Pete’s tone has ever been.
Check out Anaka’s website from their music, facebook and upcoming shows, including North Music Venue in Long Island on July 29th.
You can also find me on facebook by clicking here:
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My next blog should be a review of Helix Nebula so stay tuned.
So I’ve been pretty busy with recording songs and videos in the last week or so. I’ve really been inspired in the music department, having uploaded two new songs in the last few days. Here’s the one I just uploaded today:
Upon listening to it with the drums I mapped out as well as the distorted bass I put there, I find it to be a cross between early Bathory, speedwise, and a more modern Grindcore song around the breakdown section. I just know my Ibanez Destroyer’s been taking a beating lately with all the things I’m doing. Speaking of guitars I’ll most likely start recording covers sometime next week.
On the powerlifting front I just began the second cycle of my new 5/3/1 conditioning template. Only now I’m training four times a week instead of three since I’m currently off from work for the summer – giving me plenty of time to get out all the extra anger my jackass students gave me this year! I’m serious when I say they need to bring back corporal punishment because today’s kids are way too fucking grown for their own good. Fuck the kids. Anyway, here’s my latest Deadlift video. The whole workout can be found in the description box of the video:
I figured out a great way to use my phone to film myself Deadlift and Overhead Pressing without using anyone’s help. I just need to find a way to do it for Benching and Squatting. Also, I’m not too far away from Diamond Gym in Maplewood, NJ, and I’d like to also make my way over there next week to get a workout in. That place is just so fucking hardcore that I HAVE to go there.
More News
A quick reminder that I’ll be at Anaka’s show at the Black Bear Bar in Brooklyn this Saturday. I’ll be making a video or two, as well as writing about it here so keep your eyes posted. Also, I was approached by Helix Nebula, a band from just outside of Madrid, Spain, about reviewing their new album and I agreed to do it so I should be doing that in the next week as well. Helix Nebula recently played a show with Feel No Pain, another band from Madrid, who’s demo I just reviewed; so I’m assumed that’s how they found me.
I’m now on facebook, so be sure to click here and like the page for more updates.
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Anaka live at Black Bear Bar, Brooklyn, NY, July 16th, 2016
On the heels of celebrating more than 15 years together Brooklyn’s own Anaka will be playing Black Bear Bar in Brooklyn this coming Saturday. Also on the bill are Proxima Control, The Last Alliance, and The Crimson Collective. And I’ll be posting a few videos of the show on my YouTube page.
One Foot In The Grave Tour f/ Carcass, Ghoul, Crowbar, and Night Demon live at Gramercy Theater, New York, NY, August 4th, 2016
I’m a little disturbed by the title of this tour just because I’m not really sure if this means Carcass are breaking up again or not. If so, it was awesome of them to release one more album, Surgical Steel, back in 2013. That was probably the album of the year for me. If not then that’s fine too! I just entered Metal Injection’s contest to win free tickets to the Gramercy show, and I’ll find out in two days if I won. I’m afraid I don’t know much about Ghoul or Night Demon…yet, but I’m definitely filming Carcass and Crowbar for sure. Haven’t seen Crowbar since that night last June where I nearly died about three times because that so-called moshpit turned into a barwide fist fight! So it’ll be interesting to see what happens this time, especially since hearing that ex-bassist Todd Strange came back to the band after sixteen years away.
This Is Hardcore Fest Day 2 f/Nails, Iron Reagan and Ringworm live at The Electric Factory, Philadelphia, PA, August 5, 2016
Let’s face it, I’m not really a hardcore fan and the only reason I want to go to this is to see the three bands mentioned above. Of course there are a shitload of other bands on the bill but those are three I give a shit about the most. I’ve heard Electric Sleep and they can blow me. The others I haven’t heard. When I imagine how Nails’ set is going to unfold I pretty much see a moshpit so brutal it outdoes the barwide fistfight I went through last June when I saw Crowbar in Brooklyn. They are brutal as fuck, and their disgusting new album is getting a LOT of buzz, more so than even the band itself probably expected.
I’m also looking very much forward to Iron Reagan because their lead singer is Tony from Municipal Waste. Waste actually knew me personally for the better part of a year between 2006 and 2007 but that’s a story for another time. Here’s one of my favorite songs from Iron Reagan!
I last saw Ringworm opening up for Goatwhore in Broooklyn just a week after nearly dying at the Crowbar gig. I actually filmed them twice because when I tried to film them some jackass in the pit threw another guy elbow first right into my ribs. That hurt so bad. After my better second attempt at filming them I was pushed against the wall twice tailbone first. Here’s that second video now!
Operation Domination Tour with Angel Vivaldi and Gus G live at Webster Hall, New York, NY, August 31st, 2016
I was just told about this by my girlfriend a few days ago and it was immediately decided that we are going. The YouTube sensation is obviously showing no signs of slowing down at all and here’s the proof. It’s not everyday an internet darling gets to play with Ozzy’s current guitarist!
This is going to fucking rule!
As I said before I’ll be filming all the shows I go to and you’ll be able to find them on my YouTube page. If you’re reading this and plan on being at any of these shows l free to contact me, maybe we can hang. I’m also on Facebook. Click here to like my page and get quicker notifications on new blog posts.
So just over a year since my last concert I was invited by my then-bandmates, Chad and Idrees, to go with them to see Ozzfest at the Tweeter Center in Camden, NJ on August 26th, 2004. And if you looked at the main stage line up for this tour alone it’s easy to see why. Dimmu Borgir (fake, pretentious, symphonic black metal), Superjoint Ritual (Phil Anselmo acting even dumber than the last time I saw him), Black Label Society, Slayer, Judas Priest, Black Sabbath. Yeah, Judas Priest was THE big deal at the time, with the band announcing the return of Rob Halford on vocals just ten months earlier and following the release of the band’s box set. The three of us definitely had our musical differences – making me wonder how I didn’t quit them earlier – with me liking a little bit of everything yet leaning towards heavier stuff more and more, Idrees listening to Thrash and ONLY Thrash, and Chad being the Power Metal guy who was practically jerking off every night to all things Iron Maiden and Steve Vai; but who the fuck doesn’t even remotely like Judas Preist?? I’m waiting….
The morning of the show they were supposed to come to my house with Idrees’s dad driving to pick me up. They were very late and whenever I called either of their cellphones no one picked up and it really irritated me. When they finally did show up I do remember letting them both have it, although I don’t remember their lame excuse. Idrees’s dad reminds me of a cross between Nile Rodgers and Isaac Hayes, Niles in the voice department and Isaac in looks, it was pretty funny just hearing him talk. We arrived in Camden around 1pm due to shitty traffic once we got off the NJ Turnpike; ever been to Camden before? No? Ok, ever hear Chris Rock talk about why you should never anywhere that has a Martin Luther King Blvd? Well, we were on it and we saw why. Here’s an example of what we drove through to get to this place:
Isn’t this just sexy? I’d totally live here!
After maybe twenty minutes of my suddenly wishing we took Chris Rock’s advice and ran we finally got to the Tweeter Center, the huge outdoor arena placed in the location of the Armageddon we all apparently missed and right across the water from Philadelphia. Idress’s really cool dad was going to spend his day at the New Jersey State Aquarium not to far down the road from us and right by the ferry that was bringing in drunken Philly trash for Ozzfest. But I’ll get back to that later!
The three of us walked in to the horrible sounds of Otep on the second stage, having just missed God Forbid, who I really wanted to see. They sadly broke up in 2013 but if you’ve never heard of them check out their 2004 album Gone Forever. So we walked around for a bit, bought beads to throw at girls to have them show us their titties, etc. We went back to the second stage because I wanted to see Lamb Of God. They were literally five days away from release of their major label debut on Epic Records, Ashes Of The Wake, following the success of their last album, As The Palaces Burn, and it looked like they totally did a major gear upgrade with there being to big walls of speaker cabinets like only Slayer would do.
Chad and Idrees left me there because they weren’t fans of the band. I think it was literally just too modern for either of them. Lesson #1: if you’re only 19 years old – like these two knuckleheads were (I was a year older) – nothing is too modern for you. Life’s too short to be THAT pretentious over music. I may have just turned 32 but I still have an open mind! Lamb Of God were absolutely awesome, playing a good chunk of their material from the last record as well as the first single off the new album, called “Laid To Rest”. What I didn’t understand was Randy Blythe’s need to curse literally every other word – that’s not an exaggeration – as well as constantly saying he was in “Killadelphia” when we were actually across the water. Dumbass.
My two dopey friends came back just in time to rescue me from Shitknot (I was a fan of them for a few years but 2004 was the year they broke my heart Godfather Part 2 style) and Hatebreed. In fact, after LOG there were no others bands I wanted to see on the second stage at all! So we had lots of time to kill. While there I bought a BLS shirt that I still have today and the classic Slayer eagle shirt, which mysteriously disappeared on me a few years back. I’m still pissed about that one, by the way. While walking we came across a lot of that drunken Philly trash I mentioned before. I’m talking a bunch of ridiculously sunburnt dudes in Eagles jerseys (the football season had just started) yelling out in unison “E-A-G-L-E-S EAGLES!!!!”….over….and over….and over again. We also found a good spot at the guard rail on the lawn, where we could throw beads at bitches AND have a pretty good few of all the bands.
After while it was finally time for the main stage acts to go on. First? Black Label Society. This was to be my first of seven times seeing them, in fact I can’t make fun of Chad’s fixation on Maiden without stressing that between 2002 and 2008 I wanted to play like Zakk Wylde so bad. I had other influences, of course, but at that time Zakk was the ONLY one who was that popular while playing that kind of music. Dimebag Darrell and Vinnie Paul had already risen from the ashes of Pantera, but their current band, Damageplan, was not getting over on the old fans easily.
Right out the gate he was ripping it up on a custom made Jackson Randy Rhoads guitar. He’s shredded for maybe two minutes before breaking into “Funeral Bell”. Idrees and I loved it. Chad? “Zakk Wylde’s not that great”, he said with this arrogant smirk on his face. Chances are he was already jaded from listening to technical shred nerds who never left their mother’s basement. Lesson #2: It really doesn’t matter how much better one guitar player is than the next. Zakk himself will even acknowledge that there are players that will bury him. But what’s more important than having all the technique there is to have is being able to have your playing reach out to more than one niche crowd. That’s why Zakk passed the audition to play with Ozzy in the first place. Even Ozzy knew Zakk had already developed a sound that would one day make him recognizable!
Superjoint Ritual were next. Where Phil Anselmo pretty much told us last year in Brooklyn where he stood in music (as in not with Pantera) he pretty much took that and acted like a dumbass this time around. First off, their latest album, A Lethal Does Of American Hatred, sucked balls in plain English. Also, it’s one thing to command your audience to mosh; but when you tell them that they’re pussies if they don’t you’re just a jackass. The band were still great…so long as the played the music off the first album…but it was weird when Phil ended the band’s set by saying “keep sucking dick!” on the mic before doing his classic shitty rendition of the last words to “Stairway To Heaven” that he’d been doing since the Pantera days. Drugs are bad, m’kay?
Dimmu Borgir were TRASH. Bad enough I already don’t like Symphonic Black Metal but Dimmu were and are just awful. Next? Slayer. How funny that, as Idrees left us to mosh in the makeshift pit area right behind us, Chad and I both realized that the guardrail was pretty wobbly – yeah, we were fucked and we knew it. Because as soon as Slayer got on stage all Hell broke loose and we were almost instantly pinned to the guardrail. That shit hurts! Of course, once they kicked into “Raining Blood”, the pit had become it’s most violent. But who really fucking cares? This is Slayer – and with the classic lineup back together! Whenever I was able to get a glimpse of the band without getting pummeled I look straight at Jeff Hanneman. He tore that guitar up better than Kerry King that night….and all the time.
After surviving the moshpit from hell we made sure Idrees came to us so we wouldn’t lose our spots before Priest came on. At this point on it was more like an arena style concert, because who moshes to Priest or Sabbath anyway? This was the one band to have a really elaborate stage setup. Here, look for yourself:
I was able to notice on my own that Halford was relying HEAVILY on a teleprompter because he’d go to one place on stage and just stay there for two of three songs before going somewhere else. Didn’t matter though because he was on fire, proving why he’s the Metal God. When they played “Breaking The Law” I called up my college radio station’s programming director to bust his balls and left him a voicemail of the band playing the chorus line. Why was I busting chops? Well…let’s just say he did just that over a month earlier.
Up last? Sabbath. But of course there was a catch. Before the band were to go on stage Bill Ward came out to announce to everyone that Ozzy was sick and could not play. BUT, apparently Rob Fucking Halford volunteered to sing so the band wouldn’t have to cancel their performance. There’s a bootleg floating around of Halford doing the favor for them back in 1992 but I was actually going to hear it?? Needless to say I wasn’t bummed out much longer after hearing that!
Being that someone else was singing, regardless of the fact that it’s a guy that’s STILL amazing at his age, they kept the setlist floating around the just the first three albums. I’d bet that was just to make it easier on Rob, who surely didn’t have enough time to practice. But it still was pretty awesome to hear.
Idrees’s dad was waiting for us right outside the arena, having stolen banana daiquiri mix from some vendor stand during what I think he said was some kind of police situation…or something. The show was awesome as a whole. If I only knew then that I’d NEVER see the classic Sabbath lineup. But was this THE best Ozzfest lineup ever? I think the following year’s beat it; but I’ll get to that in the future.
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Confessions of an Angry Metalhead 