“Hey, I hear you don’t like beatdowns?!” Shadows Fall live at L’Amour: August 10th, 2003

I first read up on Shadows Fall in a brief one page Guitar World article in 2000, discussing the release of their newest album, Of One Blood, which featured the debut of vocalist Brian Fair.  I’m pretty sure I still have that magazine in my attic somewhere in a big ass bin of old GW back issues….along with a shit load of Muscle And Fitness mags that I stole from my ex-job…several times.  Those security guards were and probably STILL are dumb as SHIT.    All these years later I can’t remember why it didn’t get my attention much in a time when Pantera was just a month away from releasing Reinventing The Steel, and shit rap-metal and pussy pop punk was king; but it was most likely because I read that they mixed thrash and death metal with rhythm guitar Matt Bachand’s love of new-age music.  At that time I most likely too young or ignorant to understand the idea or even give it a listen to see how the band melded such styles together.

That changed two and a half years later, by which point I was a few weeks into my college career.  They once again were featured in Guitar World, this time discussing their newest album, The Art Of Balance.  This time around, the article focused on the fact that lead guitar Jon Donais actually shreds his ass off on the record.  Both he and Matt discuss their love of all kinds of metal, as well as the fact that at that point in time the ONLY other guitarists known for TRULY shredding it up were Dimebag Darrell and Zakk Wylde.  True story.  So I was interested.  Then, I started seeing ads for the album in magazines featuring quotes from these rave…and I mean RAVE…reviews, calling Shadows Fall “The Next Metallica”, on the heels of the fact that this CD was supposed to have such a purist, old school thrash feel.  Ok…I was sold.  So I went to Sam Goody, maybe around Christmas time, bought the CD, and my ass was instantly KICKED so hard.  The riffage was very thrash.  Jason Bittner’s drums were so precise and so freaking fast on his debut recording with the band, Brian Fair really did sound like Ride The Lightning – era James Hetfield.  Then, there was those guitar solos.  Jon Donais is an AMAZING lead guitar player.  There are guys who shred to blow their load by showing off their knowledge of every scale known to man and there are guys like Jon who shred with aggression, technique…and feel.  GASP!!!  Not too long after this I finally heard Of One Blood and realized what I was missing out on because that record is even MORE brutal than The Art Of Balance!

Sometime in the summer of 2003 I was in a Hot Topic – the second to last time I ever went into one – and I found myself talking to the guy behind the counter, whose name I no longer remember.  The discussion turned to musical styles.  Around this time, the nu-metal/rap metal train was close to FINALLY crashing, but so-called hardcore with breakdowns that the kiddies would breakdance too was starting to become the new trend.  This guy played in a band called Resin and they liked to do those breakdowns.  Too bad.  But he told me that his band would be opening for Chimaira and Shadows Fall within a month and he had to sell tickets (gee, I wonder where I heard that shit before) and of course I told him I’d go.  They were practically THE only modern metal band I was giving the time of day.

So a month later my mom insisted on driving me to L’Amour on 63rd St, most likely because she was a sissy who couldn’t bare the thought of my taking car service there even though I had done it just three months earlier, when I was last there to see Superjoint Ritual.  No sooner did I close the door to her car did I hear a voice yell out to me “Hey!  I hear you don’t like beatdowns??”.  I turned around there was all of Resin.  In the middle was their gruff looking singer, who yelled out to me.  To the left was the guy from Hot Topic…who clearly had a great memory!  So we spoke for a few minutes and they gave me my ticket.

Going into the show, which was an Ozzfest ’03 off-date, the bill was once again HEAVILY booked by the idiot guineas that ran the place.  I think the first band I remember seeing was this band of kids who did a cover of Sepultura’s “Roots Bloody Roots” that was played waaaaaayyy too fast.  Even when I was that age I never understood why younger bands just need to speed up even those songs that need to be played a little slower.  Is it nervousness?  Is it lack of understanding of dynamics?  The original tempo for the song was just right because it allowed Igor to put the right kind of groove in there and, more importantly, it allowed the heavy ass riffs to breathe.  Most times, fast never equates to heavy.  Heavy is not about tempo, or even volume for that matter.  It’s about attitude.  If you’re a young musician and you’re reading this, don’t ever forget this.  Dynamics, more important than ANYTHING else in terms of songwriting.

While seeing this one band one the main stage, whose guitarist was clearly trying so hard to be Dimebag Darrell, I recognized Jon Donais standing literally feet away from me.  I went over to him to discuss the band on stage because the guitar player was in fact really good and he put on the biggest smile and even gave me his full attention.  That solidified to me once for all the humility of the underground guys.  They were playing their first huge festival tour as The Art Of Balance was selling 100,000 copies, the first album in Century Media Record’s history to do so and they were still down to earth guys.  I went up to Brian Fair after seeing Jon and he too was a cool guy.  I saw a few more local bands including Full Blown Chaos yet again (and they sounded like shit yet again!) and Chimaira came out.  Long story short: they sucked.

Shadows Fall went on around 10pm and, long story short: they blew Chimaira out of the fucking water within the first minute of being up there.  Although that part wasn’t hard.  They were so good, playing songs from the two most recent CDs.

The Setlist:

Idle Hands

Crushing Belial

The Idiot Box

A Fire In Babylon

Stepping Outside The Circle

Thoughts Without Words

Of One Blood

Destroyer Of Senses

Serenity

The show was fucking incredible…and I totally forgive Brian Fair for wearing a Clash t-shirt that night!  Someone in the middle of the set he asked us if we BOUGHT the new album and I’m pretty sure most of the crowd responded pretty positively…by which I mean horns in the air and loud chanting.  You could tell it meant a lot; let’s face it, bands in his position NEVER sell 100,000 copies of a record or even make that in combined album sales.  And that was a minor miracle compared to the success the band would see a year later!  What I did NOT know about that night was that it would be my last time going to L’Amour for anything.  They’d close down just over five months later in early February 2004.

Final Thoughts

Here’ a brief video of me squatting 235lbs for 6 reps without a belt last Thursday night.

I managed to pull this off without a belt and it was surprisingly easy.  Starting this week I began final preparations for my first meet happening on May 21st in Newark, NJ.  As of this past Sunday I’m focusing only on the big three lifts and light cardio, making my training sessions considerably shorter.

The End: Black Sabbath live and SOLD OUT at Madison Square Garden February 25th, 2016

I tried to see Black Sabbath with Ozzy Osbourne on vocals on two different occasions.  Now, I intended on writing about this in other blogs as I went through all the concerts I went to, but I feel that would take forever and it would make sense to write about it now since I’m about to discuss the show I just went to.  When I went to see them at Ozzfest 2004 in Camden, NJ,  drummer Bill Ward came out before the band was to play and announced that Ozzy was too sick to play and Rob Halford of Judas Priest was going to sing in his place.  You couldn’t be there and complain much after that!  The next year, before we even got in inside the PNC Bank Arts Center, the girl checking our tickets told my ex-guitarist Chad and I “No Black Sabbath tonight”.  Why this time?  “Because Ozzy’s sick.”  Sure, Iron Maiden played an extended set that night but I was convinced that night that I’d never see Sabbath with Ozzy…and that Ozzy’s voice is just toast.

So when I got wind, a few weeks ago, that Sabbath had to cancel gigs in Canada because Ozzy lost his voice, the only thing I could assume was that my friend Frank was going to have to get a refund.  Little did I know how wrong I would be…and some more.  But I’ll get to that in a bit.

I arrived last night at Madison Square Garden with high expectations for the band and incredibly low expectations for Ozzy. Fuck, I really just wanted to see Tony Iommi anyway.  But I was also looking very much forward to reuniting with my buddy Frank, who got us the tickets, as well as seeing the opening bands, Rival Sons.  Rival Sons got on stage and goddamn they sound even more like Led Zeppelin live than on record!  The most obvious sign of it on their albums is the John Bonham-like drum sound.  But live, Jay Buchanan did some loud ass wailing while barefoot – that he at least had me convinced that Robert Plant found a way to defy age and join Rival Sons.  At one point Frank and I were jokingly singing Zep song titles into two of their songs because they sounds THAT MUCH like Zep songs.  I think the last time I heard anyone sound like Zep to the T was Billy Squier when he recorded “Lonely Is The Night”.

 

To our surprise we didn’t have to wait long for Sabbath to come on.  The lights in the Garden went out at 8:45pm, definitely earlier than expected.  As the sold out crowd was ROARING in excitement  a video came up on the screen.  We saw burning buildings that represented the artwork from their most recent album, 13.  Then it got really weird, like something out of a fucking Final Fantasy game.  But you can see part of it here:

So, as you can see and hear, they opened up with the title track to their self-titled debut.  And from their the broke into the classic “Fairies Wear Boots”.  Say what you want about Ozzy’s solo drummer, Tommy Clufetos, taking Bill Ward’s place for the last few years as well as the fact that his style is not as jazzy or loose as Bill’s.  But he did a really good job emulating Bill’s parts and making him his own.  Do I wish Bill was there?  Hell fuck yeah I do!  But I have to give Tommy respect for making it clear that he was paying his respects.  His DW drum kit even looks like Bill’s Tama set to the T!

Geezer Butler, as usual, was on FIRE last night!  He bass tone, even from where I was sitting in the nosebleed section, was so strong and crystal clear.  HIs fingers were moving so fast on those strings.  His playing, both wild with abandon yet perfectly arranged.  There really is no one like him.  No one.

Which brings me to Lita Ford’s favorite Superhero…as well as the main reason I even wanted to go: Tony Iommi.  This is it for him.  He’s sick, tired, stressed.  No matter what the other guys want to do after this all ends I wouldn’t expect to see him out on the road again.  The lymphoma treatments are clearly taking their toll on him.  But he still put on probably the most amazing show I’ve ever seen from him and this was the fourth time I’ve seen Tony live overall.  His playing was so fluid, so smooth yet so BRUTAL.  His riffs – so horrifying, so scary, so BRUTAL.  This motherfucker CREATED the style of music I love so much as is the primary reason I play guitar.  There will NEVER be anyone like Tony Iommi ever again.  Ever.

Then there was that big shocker of the night that I eluded to earlier.  Ozzy Osbourne, not known to have had a great singing voice since the mid 9o’s…actually sounded good!  I shit you not!  I’m pretty sure the key was that the band played songs that Ozzy could handle, which meant not straying far from their first three albums much if at all.  If you knew anything about how the guy destroyed his voice over the years you knew there was no way he was pulling out “Sabbath Blood Sabbath” or even “Megalomania” for that matter.  Although I was surprised to hear them play “Snowblind” and even more surprised to hear Ozzy hit the high notes without struggle!  He was shockingly on point last night…I guess the third time was the charm after all, eh?

THE SETLIST:

Intro video/Black Sabbath

Jack The Stripper/Fairies Wear Boots

After Forever

Into The Void (\m/\m/\m/\m/!!!!!!)

Snowblind

Wars Pigs

Behind The Wall Of Sleep/Bass Solo/NIB

Hand Of Doom

Rat Salad/Drum Solo

Iron Man

Dirty Women

Children Of The Grave

Encore: Paranoid (well, duh!)

Like I said, the band pretty much hovered around the first three albums which the exceptions of “Snowblind” and especially “Dirty Women”.  Not that Ozzy sang high in that song; but I doubt anyone expected them to pull out something off Technical Ecstacy, which was not their best album during the Ozzy years.  Either way, it was incredibly effective.  My head hurt so much from headbanging yet I refused to stop.  After the show ended we witnessed some guy who was so drunk he nearly fell down the stairs and that would have been a fucking long way down.  He instead fell on his ass and as he when to get his cigarette, which was already lit up, he mistakenly put the lit side in his mouth!

The show was in-fucking-credible, what a fitting way to say goodbye to the band that started it all.  In fact, they are playing another show at the Garden tomorrow night and will be touring through September.  Without them, and especially without Tony Iommi, there would be no heavy metal as we know it now.  For that I’ll always be thankful.

$haron ruins everything…again.

blacksabbath2013smaller_638Over this past week Sharon Osbourne proved once again why she’s an out of touch, clueless, money hungry piece of shit.  Five days ago she released a short promotional video announcing that Black Sabbath will be playing their final show when Ozzfest goes to Japan in November.  There’s a lot wrong with this picture already.

Now before I go into that I’d like to quickly acknowledge that just maybe this was a decision made by Tony.  The poor guy’s been fighting Lymphoma for three years now and I’m sure that it’s got to be taking it’s toll on him lately, especially when you factor in the touring schedule, how often he has to fly back home for treatments, and of course, the man is 67 years old.  Therefore, I have no choice to respect that, that is if this was his decision.  He’s the godfather of Heavy Metal – no one else can say that, I don’t care what anyone thinks.  Without the sound HE created there is no Heavy Metal and he deserves all the respect in the world.  I’ll forever be grateful to Tony Iommi.  He was one of my biggest inspirations as a guitar player because he was and is as real as it gets.

Now for what I hate about this!  It all boils down to the fact that their final show is to be at the very festival bearing their burnt out lead singer’s name.  If that alone isn’t an ego play on Sharon’s behalf then I don’t know what is.  There’ve been many times where I felt Sharon did certain things to Sabbath just to spite them for firing her future husband back in 1979.  She helped Ozzy’s solo career take off and many of his solo albums in the 80’s surely outsold Sabbath’s post-Dio output without question.  So therefore she must feel she has the upper hand against Tony and Geezer and she’ll do anything to rub it in their faces every chance she gets.  And of course, Ozzy’s so burnt that he’ll do anything his puppeteer wife tells him!

Next….Japan??  Really?  Really?!  Some of you might think “hey good for Japan.  They get to see Sabbath’s final show ever!”  Me?  Fuck that!  I say a band like them, with a legacy as incredible as theirs, should be playing a home coming show in Birmingham, England, where the band was born.  It’s only fitting.  It started there?  They should end it there.  This is where they came from, that tough as nails steel town where four kids with no hope got the fuck out of there and accomplished things far beyond what they could’ve ever imagined!  Yeah, they did a few Birmingham shows in 2012 while Tony was beginning his Lymphoma treatments but so fucking what?  This is supposed to be the end this time, right?  This is the good thing about Motley Crue – and no I’m not a fan of them.  They all chose to end their tour – and career – at the Whiskey A Go-Go, where it all began for them back in 1981.

Now let’s talk about this Ozzfest lineup, since this last show is already set.  In the video announcement for Ozzfest Japan, moneyb – oops, I meant Sharon – also mentions that Korn are also on the bill.  I’m not against diversity in music or festivals;  but Korn are the originators of the entire shitty nu-metal movement that DESTROYED real heavy metal for a long time.  As if it wasn’t bad enough that those assholes are still breathing – why would anyone put them on a bill with BLACK FUCKING SABBATH, a band who’s one guitarist with two missing fingertips can wipe the floor with Korn’s two seven string guitarists, who bend down so low when on stage that they look like they’re sucking their own dicks?!  And most importantly it just doesn’t fit musically.  Sharon and her son Jack are notorious for pushing really bad, trendy, sound – alike bands on Ozzfest in the past. I think they only time they got it RIGHT was in 2004 when the co-headliners with Sabbath were Judas Priest featuring a newly returned Rob Halford and the next year when they took Iron Maiden with them.  That was fucking awesome!

What really made me laugh was when Ozzy said recently that after Sabbath splits he plans to go back to his solo career.  Ozz…please…let it go.  You used to have an incredible voice; but that was a long time ago and it’s gone now.  Oh wait – you can’t do that because $haron won’t let you.  I’m guessing this is all revenge for that time you got drunk and tried to kill her.  Whoops!  That bitch is gonna work you until you die and then STILL make money off you when you go.  If I were you – and if you still had a mind of your own! – I’d call it quits after the last Sabbath show.  Buddy I’ve seen clips of the band playing “Children of The Grave” at the Barclay’s Center and you alone were AWFUL.

It’s a shame, really.  It’s a fucked up way for Black Sabbath, the band that invented the music I love so much, to go out.  I feel like it’s a royal slap in the face to their entire legacy.  No, this is not their first Ozzfest, not by a long shot.  But this is their FAREWELL.  Sure, they’ve said this before; but I feel like this really can be the end for real because of Tony’s health problems.  They say the apple doesn’t fall too far from the tree…that’s the fucking truth when it comes to Sharon Osbourne.  She’s just like the one guy she hated the most in her life – her father!