“No, No, No, God’s A Lot Taller!”: Motorhead Live at Starland Ballroom, March 9th, 2005

I knew it’d take a while for me to get to covering this show; I simply didn’t realize it’d take me more than two years since I wrote about my previous concert experience leading up to this point, which took place just four months prior. But in the case of this particular experience, there are a few moving parts here. I’ll get to that momentarily. But any time from here on in that I write about any of my experiences seeing Motorhead live, there will forever be a big hint of melancholy running through my mind, primarily because Lemmy’s gone. And this article will prove difficult for me to convey my thoughts, and you’ll eventually figure out why.

Let’s set the stage, shall we??

Not too long after I began hosting my college radio show, Ali, alumni volunteer host of Ali’s Little Corner of The World, which aired directly before my show on Thursday afternoons, informed me that her boyfriend was a singer in a New Jersey-based Metal band called Arctic Flame. Ali also is one of the two DJ’s who trained me, which means a lot to me even more than eighteen years later because I widely viewed her and the other guy who trained me to be THE two best DJ’s in the entire station at that time. If I’m not mistaken, she’d asked me if I wanted a copy of his band’s unreleased Jack Frost-produced demo to possibly play on my radio show, since we had that freedom at the time. I’d also invited her to see my band play within the next few weeks at Dock St aka the biggest shithole on that dump of an island.

A good week or two before the show, Ali let me know that her boyfriend would be at the show to pick her up, as I’d be driving her there, and because he apparently wanted to meet me. No, I have no pictures from that show, or I would’ve made a whole separate post on that alone. I just remember, if I’m not mistaken that we performed two shows, one that Saturday night, and another the next night. Ali was front and center; and as we said our goodbyes at the end or our set, she was talking with a man wearing glasses with thick, black hair. Dave Lowe has just shown up right before we wrapped up our set, so he missed everything. But the four of us, meaning Dave and Ali, myself and a former friend of mine who I’ll never mention because he doesn’t deserve to have his name spoken, went to get food at the now-defunct Mike’s Place on New Dorp Lane (it may be closed; but the Greek son of a bitch bought nearly every other diner on the Island since that time).

In short, we bonded very quickly over all things Metal and fake wrestling – and I mean to the point that Ali to this day tells her now-husband that he took her friend away from her!

Sorry Ali.

Not too long after this meeting, Dave called me up and invited me to go with him to see his band open up for Motorhead at the Starland Ballroom in Sayreville, NJ. A week or two later, that aforementioned former friend of mine and I went to Dave’s job in the mall to buy tickets. It just took my friend telling Dave that “he’s ready to play the game!” for Dave to immediately take an envelope out of his pocket with a smirk on his face. If you watched fake wrestling at the time, then I don’t need to explain how those two understood each other with that statement, clever as it was…and mark-ish as it was.

Now that the history’s out of the way….

On the evening of March 9th, Dave picked me up at my house to head out to Starland Ballroom in Sayreville NJ, to see a PACKED bill. Arctic Flame were the openers to be followed by Zeke, Brand New Sin, Corrosion of Conformity and of course, Motorhead. This would be my first time in Sayreville since I lived there for 5 seconds when I was 14. This would in fact be my first time in this building under the Starland name because, the last time I was anywhere near that building, I was living just seconds away from it and it was a techno club called Hunka Bunka Ballroom.

Also with Dave was a 15-year-old kid named Derek, who happened to live on his block. This kid looked awfully familiar, when I suddenly remembered seeing him in one of the pictures from my first Vangaurd gig just over a month earlier. Quite a bit had changed since that show. The biggest change?

I was fired from the band two weeks prior to this show. Funny enough, while I was initially pissed off, I actually felt relieved afterwards. The band would regret their decision almost immediately, but that’s a story for another time, nothing major though.

Because Derek and I arrived with Dave, we were able to get in and actually watch Motorhead do their soundcheck.

Let me say that again so it registers…..

WE WATCHED PHIL CAMPBELL, MICKEY DEE, AND LEMMY FUCKING KILMISTER DO THEIR SOUNDCHECK.

My first memories of Starland Ballroom will always be Derek and I walking in to feeling the floors vibrate to the point that it felt like the earth was about to fucking split open. I couldn’t put my ear plugs in quick enough! The PA speakers were tied together, and there were all three guys tearing ass on stage. To be just a matter of feet away from Lemmy Kilmister was like being in front of God, Yahweh, Muhammed and Allah all in one speed-addled, facial wart infested, hot mess playing a Rickenbacker bass.

After destroying about 200% of my hearing (and me loving every moment of it!), Lemmy and Phil broke out acoustic guitars to rehearse what was supposed to be their encore. I’ll explain my wording later on. They played “Whorehouse Blues”, a track off Inferno, the album they were touring for at the time. After they finished that track Derek and I immediately applauded and rooted them on. “Thank you, thank you very much.”, Lemmy immediately replied. I couldn’t help but yell out “Lemmy, you’re a fucking GOD!”. His response?

“No, no, no, God’s a lot taller!”

I will always remember that to the day I finally get my wish and die.

Following that brief, yet life changing verbal exchange, Lemmy walked over to take pictures with the hot, fake-titted bimbo bartenders. Derek suggested we go over to him right now. I suggested that we wait at least a minute or two and let him finish with the bimbos, that way we don’t come off as fangirls. He then walked away. We assumed he’d be right back. The band couldn’t possibly be finished with soundcheck, right?? Well, within moments, the club started letting people in and I found myself feeling like a total dipshit as I apologized profusely to Derek.

And Derek, if you ever somehow come across this article and accompanying podcast, I’m STILL so fucking sorry!

As mentioned earlier, Arctic Flame would be the first band on. Dave seriously had a set of pipes on him. Their style was more Power Metal, which I’ve never really liked; but just shut the fuck up and listen to Dave’s opening wail on this track! The band received a very good response from the crowd overall.

Next up was Zeke, a Punk band from Seattle. I’m extremely selective with my Punk music, but Zeke were really fun. I was very impressed by the band’s ability to stop right in the middle of certain songs so their guitarist could break out pieces of the a cappella guitar solo to Led Zeppelin’s “Heartbreaker”. You know the one. If not, you know nothing about music. Regardless, he was very selective of which songs he’d use to break out those fragments. And you either knew what he was doing – as I sure did! – or you were as fucking clueless as most of my high school graduating class. I would see the band’s bassist, Jeff Matz again. Only next time, it’d be with High on Fire in late 2007 in Webster Hall.

Up next were Southern Metal band Brand New Sin. I remember thinking that Corrosion were going on stage, until I saw Joe Alter hit the stage. I think Chuck, their bassist looked like Mike Dean. That’s probably why. After that, I remember absolutely nothing about the band’s set. That sucks because I actually like them. I would be able to see them again before year’s end at the same venue, where they’d be opening up for Black Label Society.

Next up were Corrosion of Conformity. The place was getting packed at this point. I had a good spot behind this younger kid with a leather jacket and sleeveless denim vest much like mine, although I simply didn’t wear mine on this night because it was cold as balls out that night. This would be my first of two times seeing Corrosion live. But there were two noticeable differences between both times I saw the band. On this night, Mike Dean looked a LOT cleaner cut, whereas when I saw him a decade later, he looked a lot more like Dr. Brown from the Back to the Future Trilogy. The other difference? The band were five years into a decade-long period where Reed Mullin wasn’t in the band.

I don’t remember too much about this set, except for the fact the Mike turned out to be an EXTRAORDINARY bassist, and that the band were on tour for their yet to be released album, In the Arms of God, meaning they’d be playing a few of those tracks on this night. They broke out the track “Paranoid Opioid”, which told me all I needed to know about this yet-to-be-released album. Funny thing is, when Pepper Keenan announced the title of the song, he introduced it by saying “This is off our new album that’s coming out next month, but y’all probably already downloaded it”. Most probably did. I actually bought it upon its release and wasn’t surprised one bit that it was just DRIPPING of Sabbath worship, which only started once Pepper joined the band in the early 90’s.

After Corrosion left the stage, more people started to push their way through to the center of the floor and beyond. It wasn’t too long of a wait, if I’m not mistaken. As the lights went out, the crown lost their fucking minds before any of the guys in Motorhead even stepped on stage. Lemmy walks out…

“Hello, we’re Motorhead. We play Rock ‘N’ Roll…” was the Johnny Cash-like intro he gave, as he cooly flicked a cigarette into the crowd. Mickey counts to four….

The whole fucking place EXPLODED. Megadeth four months ago had NOTHING on this. And that fucking docile kid that stood in front me? He woke up right the fuck on cue, his Mexican Jumping Bean like moves causing the back of his head to headbutt me right in the goddamn nose – the second time I was hit in the fucking nose! And just like at that last concert four months prior, I lost my spot, the crowd forcefully shoving my skinny ass out and back so they can all pay worship to Lemmy.

The Setlist:

  1. Doctor Rock
  2. Stay Clean
  3. Shoot You in the Back
  4. Love Me Like a Reptile
  5. Killers
  6. Metropolis
  7. Over the Top
  8. No Class
  9. I Got Mine
  10. In the Name of Tragedy
  11. Dancing on Your Grave
  12. R.A.M.O.N.E.S.
  13. Sacrifice
  14. Just ‘Cos You Got the Power
  15. Going to Brazil
  16. Killed by Death
  17. Iron Fist

Encore:

  1. Whorehouse Blues
  2. Ace of Spades

Lemmy’s thunderous Rickenbastard bass, plugged into a wall of old, beat-up Marshall heads, torn through the entire room as everyone acted the craziest I’d ever seen up to that point in my life. My first Crowbar experience comes very close, although unlike the at the Crowbar show, the crowd didn’t partake in one room sized fist fight.

Remember earlier when I said Motorhead were “supposed” to do an encore? It started off just as I’d said, with Lemmy and Phil breaking out acoustic guitars to play “Whorehouse Blues”. After that, they plugged back in and tore through “Ace of Spades”, the one song everyone had been waiting for. And the crowd sure didn’t disappoint, let me tell you. If you’re somehow new to Motorhead, the album of the same name is absolute required listening. Not up for debate. After “‘Spades”, they left the stage and we all assumed they’d be back in a minute for more. Instead, Lemmy walked out without his bass and told the sound guy that the show was over, that Mickey was apparently taking a huge shit. “No really that’s it, it’s over”, Lemmy said as the house lights gradually came back up. Everyone was let down, but I doubt anyone was too pissed off. They just saw fucking Motorhead.

Dave drove us all home afterwards, dropping off Derek first, I think, since he had school the next morning. Dave and I got sandwiches and ate in his car (Ali I swear that’s all we did!) and talked about our musical backgrounds and music, my desire to start a new band after being dismissed, and how this show light a fire under my ass. I’d go on to see Motorhead one more time after this, but that was more than three years away.

I need to thank Dave Lowe for his help in verifying key parts of this story, because I didn’t remember everything and this is THE hardest article I’ve written to date. These days Dave can currently be heard on the Warped Reality Podcast, available on Spotify. You can also click here to see all the shit he has on his Link Tree, including a 2007 live clip of Arctic Flame at the now-defunct B.B. King’s.

Corrosion of Conformity live at Gramercy Theatre 12/4/15

This was a last minute thing for me.  I totally wasn’t expecting to go to this because I had somewhere to be the next day but all I can tell you was it was so fucking worth it.  I was amazed I was even able to get tickets because according to my girlfriend the show was very close to selling out, which did surprise me just a bit.  I mean, Pepper Keenan hasn’t done shit with Corrosion of Conformity in a decade and the band went on without him for a few years as a three piece hardcore band for the first time since their 1985 album Animosity.

When I think of Corrosion as a band I can’t help but think of that swinger couple that lets it get out hand for far longer than usual.  Mike Dean left the band after 1987’s Technocracy EP and didn’t come back until the year before the band made 1994’s Deliverance.  Reed Mullin left after 2000’s America’s Volume Dealer, only to come back in 2010, just in time for him, Woody Weatherman and Mike to go back out as a three piece.  And then there’s Pepper.  Oh, Pepper…this guy is without a doubt THE biggest WHORE in this relationship.  After the band’s last studio album with him, 2005’s In The Arms of God, he basically ditched his jilted lovers for Down along with ex-Pantera singer and childhood friend Phil Anselmo so he could jerk off to slugde metal on record.  Together they made one GREAT comeback album, followed by two not so great EPs.

But in this swinging relationship, man do things swing in both directions because this year Pepper finally returned, seemingly getting it all out of his system and here we are.  They recently signed a new deal with Nuclear Blast Records and they plan to make a new record next year.  And judging by the assault on my ears a few nights ago I’m convinced the wait will be worth it.

After I bought my tickets I went out for a bit, but upon going back to the building I found Mike Dean outside the building having a cigarette.  Drugs are bad, mmmkay?  Because this motherfucker, as amazing a bassist as he is, looks like Doc Brown on meth.  I went up to him to introduce myself.  He shook my hand and even said hi but, with his looking around at everything but me, I figured he just wanted to be left alone so I let him be.

I sat on the ground for a few minutes when Pepper came out for a cigarette.  He had cowboy boots on with his worn leather jacket.  His face?  Aged like a motherfucker, but then again, if I was childhood friends with someone like Phil Anselmo I’d age badly myself!  I said “what’s up bro?” to him and he was about to shake my hand before we were rudely interrupted by these two tramps who bragged to Pepper that “we came ALL the way from New Jersey just to see you!”.  Oooh wow, you came from across the fucking Hudson River??!!?!?!  WOW!!!!  Did you swim across the river?  Because THAT would’ve been impressive!

While these two fuckheads where doing their thing Pepper quickly turned to shake my hand before something else happened.  We shared some small talk, nothing major, nothing long.  I asked him if bitches annoy you like that often, “Sometimes…”, he said in his Louisiana drawl.  I then asked him if he was enjoying playing out with the guys again. “Yeah man, I’m having a blast.”, he said before being warned by this drunken Brooklyn buffoon waiting on line to hide his beer in his jacket because the NYPD are hardasses with nothing better to do.  As much as I thought the buffoon was annoying with his drunken bellowing about seeing Savatage while high I couldn’t help but echo back his warning to Pepper.

After my girlfriend arrived we went on line and were able to grab a seat to the right of the mixing board.  On tonight’s bill alongside Corrosion were Mothership, Saviours and Brent Bjork and The Low Desert Punk Band.  I also declared this night the Orange Amplifiers Apocalypse.  What’s with stoner bands and their fixation on Orange Amps?  Did they not get the memo that the only reason Tony Iommi used an Orange Amp in that televised German performance on Beat-Club was because it belonged to the TV studio?  Not too long after I noticed Jimmy and Peter Pallis of Anaka up front we were taken by surprise by this sudden fucking screeching amp feedback.  As my ears were getting fucked up the projection screen on stage went up and there was Mothership.

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Now…I’m still not sure a week later how I feel about this band.  There is no doubt in mind of their musical direction: not too heavy, aggressive enough.  There’s no question in my mind that Kelley Juett played his fucking ass off throughout Mothership’s entire set.  Very good guitar player with a very good amp tone as well.  I wasn’t too surprised to hear them play Led Zeppelin’s “heartbreaker”.  I felt like something was missing though.  What exactly?  Not sure…maybe it’s sounded to early 70’s hard rockfish for my tastes.  I don’t hate Mothership…just not sure what to think.

Next up was Saviours.

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Geez…Austin Barber and Kelley Juett sure do look alike!  The guy sitting next me and I were sure that it was the same guy in two bands.  Aside for that this band to me are what Mothership maybe should’ve been.  They were definitely edgier, heavier, more badass solos, more badass riffing, more badass everything while keeping it in a sludge/stoner context.  Imagine a mix of High on Fire if Matt Pike hired a second guitarist and they played Iron Maiden style harmonies.

Brent Bjork and The Low Desert Punk Band should go into a room with the surviving members of The Grateful Dead, suck each other off and then go kill themselves in a suicide pact with all of them shooting themselves in the fucking mouth.

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This is exactly why I HATE jam bands so fucking much.  Stupid name: check.  Unnecessarily long jams: check.  Shitty songs to be jamming out to: check.  But forget all that for a second.  What the fuck are they doing on a bill with bands they sound nothing like??

They finally showed us mercy but getting the fuck off the stage around 10pm.  The real fun began a half an hour later:

The last time I saw Corrosion of Conformity over ten years ago opening up for Motorhead they sounded damn good; but on this night they sounded absolutely fucking brutal.  They all came off as completely re-energized – especially Pepper.  His voice was real strong here, full of energy, as if he really was happy to be back with the guys.  I was so pumped!  After “Broken Man” they went right into “Paranoid Opioid” and I dare say this time around it sounded better than the album version.  They broke into a lot of tracks spanning their entire Pepper-era run between 1991 and 2005, including “Vote With A Bullet”, my girlfriend’s personal favorite, as well as “Albatross”, which Pepper personally dedicated to Mothership.  Why?  “Because they owe me a lot of money.”, he declared on the mic.

Before the show ended for good Pepper said he was dedicating the last song to the Eagles of Death Metal as a result of the Paris attacks where a few of their own crew members were killed in the Bataclan while the band was on stage.  Scary shit.  The song?  “Clean My Wounds”.  Gee Pepper, thanks for showing me that I’ve been playing the riff wrong all these years.  Fucker.  After the guitar solo the band broke it down into a reggae groove that lasted nearly ten minutes and showed off how great a bassist Mike Dean really is.  Reed Mullin?  Absolutely underrated as a drummer, he truly has come such a long way in thirty years.  After nearly ten minutes the band jumped right back into the song’s original groove before calling it a night.

This was an absolutely brutal, incredible show and I’m happy to say that it did in fact sell out half way into the night.  I’ll be first in line to buy their new CD when it comes out.  This is my last concert for the year until Black Sabbath in February unless I get tickets to see Lamb of God in January with support from Power Trip and Anthrax.